344Photo Credits
CHAPTER 1
p. 2: © New York Times/Stephanie Sinclair/VII
Photo Agency; p. 4: © Documentary Educational
Resources; p. 6 (left): © Michael Newman/
PhotoEdit; p. 6 (right): © Marie-Stenzel/National
Geographic Image Collection; p. 9: © Associated
Press; p. 10: © AP Photo/Rodrigo Abd; p. 12:
© Jeff Schonberg 2009; p. 14: © Living Tongues
Institute; p. 17 (above right): National Anthro-
pological Archives Smithsonian Museum 1895
Neg # 02871000; p. 17 (below left): Bildarchiv
Preussischer Kulturbesitz/Art Resource, NY; p. 19:
© Kerry Cullinan; p. 22: © The Canadian Press/
Kevin Frayer; p. 23 (left): © Associated Press; p. 23
(right): © K. Bhagya Prakash in Frontline Vol 19,
issue 7, March 30–April 12, 2002CHAPTER 2
p. 26: © Imagemore Co., Ltd./Corbis; p. 29: From
Lindauer Bilderbogen no. 5 edited by Frederich
Boer, Jan Thorbecke Verlag Sigmaringen West
Germany; p. 30 (left): © Yvette Pigeon; p. 30
(right): © BIOS Huguet Pierre/Peter Arnold, Inc.;
p. 31 (left): © Fritz Polking/Peter Arnold, Inc.;
p. 31 (right): © Dana Walrath; p. 33: © Vittorio
Luzzati/National Portrait Gallery, London; p. 36:
Courtesy of Rayna Rapp; p. 40: By Jonathan
Marks (2000) “98% Alike: What Our Similar-
ity to Apes Tell Us about Our Understanding
Genetics.” The Chronicle of Higher Education,
May 12; p. 42: 20th Century Fox/The Kobal
Collection/Hayes, Kerry; p. 44: © Marcia Inhorn;
p. 46: © Camille Tokerud/Getty Images; p. 47:
Otorohanga Zoological Society; p. 48: © Meckes/
Ottawa/Photo Researchers, Inc.CHAPTER 3
p. 52: © Steve Bloom Images/Alamy; p. 55:(^) Courtesy of Michele L. Goldsmith; Photograph
© Katherine Hope; p. 57: © Peter Arnold, Inc.;
p. 62: © Tom Brakefield/Corbis; p. 63: © Cheng
Min/Xinhua/Landov; p. 66 (left): © blickwirkel/
Alamy; p. 66 (right): © Kevin Schafer/Peter
Arnold, Inc.; p. 67: © Danita Delimont/Alamy;
p. 68: © Inga Arndt/ Minden Pictures; p. 69:
© dbimages/Alamy; p. 70: © Gerard Lacz/Peter
Arnold, Inc.; p. 71: © Jay Ullal; p. 72 (left):
© 2005 Jim West/The Image Works; p. 72
(right): © Population Media Center, http://www.
populationmedia.org; p. 73: © Martin Bennett/
Alamy; p. 74: © AWF/Paul Thomson
CHAPTER 4
p. 76: Courtesy of Save the Chimps, the world’s
largest sanctuary for rescued chimpanzees.
(www.savethechimps.org); p. 79: © Paul van
Gaalen/zefa/Corbis; p. 81 (left): © Michael
Nichols/National Geographic Image Collection;
p. 81 (right): Bunataro Imanishi; p. 82: © Amy
Parish/Anthro-Photo; p. 84: © Gunter Ziesler/
Peter Arnold, Inc.; p. 85: © Biosphere/Gunther
Michel/Peter Arnold, Inc.; p. 86 (left): © John
Guistina; p. 86 (right): © Danita Delimont/
Alamy; p. 89: © Tim Davis/Corbis; p. 90: © Bob
Willingham; p. 91: The Great Ape Trust, photo
courtesy of Sue Savage-Rumbaugh; p. 92: © age
footstock/SuperStock; p. 93: © Martin Harvey/
Peter Arnold, Inc.
CHAPTER 5
p. 98: © John Warburton-Lee Photography/
Alamy; p. 101: © AP Images; p. 102: © Javier
Trueba/Madrid Scientific Films; p. 104: Courtesy
of Anne Jensen and Glenn Sheehan; p. 106
(left): © Charles Walker/Topfoto/The Image
Works; p. 106 (right): © WaterFrame/Alamy;
p. 108: © John Crock; p. 111 (above): © British
Museum/Art Resource, NY; p. 111 (below):
© University of Pennsylvania Museum From
Tikal, A Handbook of the Ancient Maya Ruins by
William R. Coe, 1967 #153371; p. 112: © AFP/
Getty Images; p. 113: © Kenneth Garrett/National
Geographic Image Collection; p. 115: © Eurelios/
Photo Researchers, Inc.; p. 117: © University of
Pennsylvania Museum # CX61-4-123
CHAPTER 6
p. 122: Courtesy of PLoS; p. 125 (left): © David
Bygott/Kibuyu Partners; p. 125 (right): © Nishan
Bingham; p. 126: © David Scharf/Photo
Researchers, Inc.; p. 128 (left): © Wolfgang
Kaehler/Corbis; p. 128 (right): © Pete Saloutos/
Corbis; p. 132 (left): The Kobal Collection/
Hammer; p. 132 (right): © Nishan Bingham;
p. 135: Courtesy of PLoS; p. 137 (right): © David
Begun; p. 138: The Natural History Museum,
London; p. 139: Roger Ressmeyer/Corbis; p. 141
(left): Michel Brunet; p. 141 (right): © Orban,
Thierry/Corbis Sygma
CHAPTER 7
p. 144: © T. White Inc.; p. 147 (left): Andrew Hill/
Anthro-Photo; p. 148: © T. White, Inc.; p. 149:
© Melville Bell Grosvenor/National Geographic
Image Collection; p. 150: Pascal Goetgheluck/
Photo Researchers, Inc.; p. 151: Discovery of the
Pittdown Man in 1911, Cooke, Arthur Clarke
(1867–1951)/Geological Society, London, UK/
The Bridgeman Art Library; p. 153: AP Photo/
Richard Drew; p. 155: VILEM BISCHOF/AFP/
Getty Images; p. 156: © Kristin Mosher/Danita
Delimont. All Rights Reserved; p. 158: © Dr. Fred
Spoon/National Museums of Kenya; p. 160:
© John Reader/Photo Researchers, Inc.; p. 161:
© T. White, 1998; p. 165: Aztec Tlazolteotl. Photo-
graphed by Man Ray (1890–1976) © Artists Rights
Society (ARS), NY. Statuette of Ixcuina, Mexican
Goddess of Maternity. 1890–1941. Gelatin silver
print, 9-1/16 3 6-7/8 0 (23 3 17.4 cm). Gift of
James Thrall Soby (204.1991) Digital image © The
Museum of Modern Art/Licensed by SCALA/Art
Resource, NY
CHAPTER 8
p. 172: © Javier Trueba/Madrid Scientific Films;
p. 175: © 1999 David L. Brill; p. 176: © The Field
Museum Neg A102513c; p. 178: © J & B Photos/
Animals, Animals; p. 184: National Museums of
Kenya; p. 185: © John Reader/Photo Research-
ers, Inc.; p. 187: © Michael S. Yamashita/Corbis;
p. 192: © PhotoDisc/Getty Images; p. 193: Mary
Evans Picture Library/Alamy; p. 194: © Paul
Jaminski/UM Photo Services; p. 195: © The
Natural History Museum, London; p. 196 (left &
right): © William A. Haviland; p. 199: Courtesy
of Marcel Otte
CHAPTER 9
p. 202: Photographer: H. Jensen/Copyright
© University of Tubingen; p. 204: Jonesfilm/
Warner Bros/The Kobal Collection; p. 205:
© David L. Brill; p. 207 (above): Pascal
Goetgheluck/Photo Researchers, Inc.; p. 207
(below): © 2001 David L. Brill/Brill Atlanta;
p. 208 (below): © 1988 David L. Brill; p. 214
(left): Gianni Dagli Orti/Corbis; p. 214 (right):
Réunion de Musées Nationaux/Art Resource,
NY; p. 216: Rock painting of a bull and horses,
c. 17,000 bc, Prehistoric/Caves of Lascaux,
Dordogne, France/The Bridgeman Art Library/
copyright status: out of copyright; p. 217: © John
van Hasselt/Corbis Sygma; p. 218: © Jean Vertut;
p. 221: © Goran Burenhult; p. 223: © Aunty
Beryl Carmichael
CHAPTER 10
p. 228: © Tavid Bingham and Amory Ledyard;
p. 232: © Tian chao—Imaginechina/AP Images;
p. 237: © Sepp Seitz; p. 238: © maggiegowan.
co.uk/Alamy; p. 239: © Harvey Finkle; p. 241:
© Dr. Bruno Glaser Universitat Bayreuth; p. 242:
© Bettmann/Corbis; p. 243 (left): © Dennis
MacDonald/PhotoEdit; p. 243 (right): © Irven
DeVore/Anthro/Photo; p. 245 (left): © UPPA/
Photoshot; p. 245 (right): © Jim Richardson/
Corbis; p. 247: © John Kerkhoven; pp. 248 & 249:
© Alan H. Goodman, Hampshire College
CHAPTER 11
p. 252: © Aladin Abdel Naby/Reuters/Landov;
p. 254: © Getty Images; p. 256 (left): © William
A. Haviland; p. 256 (right): © Image Source/
Getty Images; p. 259: © Nishan Bingham;
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