2019-07-01_Discover

(Rick Simeone) #1

96 DISCOVERMAGAZINE.COM


for which drawings or written notes previously would


have been used.


But it took until the late 1950s for the true potential


of repeat photography to emerge, when two scientists


at the University of Arizona set out to study the ecol-


ogy of the Sonoran Desert. Because they wanted to


understand large-scale change over the long term,


including how decades of agriculture had affected


biodiversity, simply taking multiple pictures over


time at a single site wasn’t enough: They needed


photos going back to before they were born.


So instead of beginning their research outdoors,


bioclimatologist James Hastings and botanist


Raymond Turner started working in library archives,


retrieving Sonoran Desert photographs from as early


as the 1880s. Some pictures were taken for scientific


purposes, others for surveying or for documentation


of the landscape. After rephotographing 300 sites over


1 vertical mile of land, they published The Desert Mile,


a book that not only transformed knowledge of the


desert but also alerted other scientists to the value of


historical imagery.


“Once you start looking at old photographs, you look


at things a whole different way,”


says Robert Webb, a retired U.S.


Geological Survey hydrologist


and repeat photographer who


worked closely with Turner on


a second edition of the book,


published in 2003. “You start


to realize there’s a whole other


dimension, which is time, and it


makes you recognize that there’s


a dynamism to these systems.”


Because such change is


universal in the natural world,


and because photography is


now 180 years old, recapitula-


tion of historical photographs


has gained traction in many


fields. Webb has used old


photos to study the behavior


of waterways such as the Colorado River and to see


how vegetation has changed in the Grand Canyon.


Others have investigated the breakup of polar ice


sheets and the retreat of Alaskan glaciers in the wake


of climate change.


“Repeat photography is very different from many


scientific techniques because it can not only be used


to answer a number of research questions, but can


also generate a lot of research questions,” says Webb.


With a location, an archive and a camera, researchers


expose themselves to whole new realms of inquiry.


NEW TOOLS, NEW GROWTH


After two summers of scrambling around Jasper


National Park, Higgs thought he was finished with


cameras and mountaineering in 1999. As an ecolo-


gist, he appreciated repeat photography — even


more so as he learned about Webb, Turner and his


other predecessors — but he was eager to return to


his everyday work on ecosystem restoration. It was


an accident of history that pulled him back into


the archives and led him to found the Mountain


Legacy Project.


Unlike most of Europe and the U.S., Canada was


still largely terra incognita in the late 19th cen-


tury. Eager to build railways opening up the land


to mining and settlement, the government sought


to map thousands of miles of rugged terrain at an


unprecedented rate. Laying down chains to measure


distance on the ground — the standard surveying


technique of the period — was far too laborious, and


it was practically useless for plotting elevation in a


mountainous region. As the government grew impa-


tient, a surveyor named Edouard Deville proposed


trying out a method invented in his native France:


With the help of an optical device called a theodolite,


which measures angles, a surveyor could translate a


comprehensive set of panoramic photographs into an


accurate topographic map.


Deville and his successors succeeded, charting


most of Canada between the 1880s and the first


decades of the 20th century. Once their maps were


complete, the photos were no longer needed. The


heavy glass-plate negatives were set to be destroyed,


but they ended up misfiled in an Ottawa warehouse


(perhaps intentionally diverted by a far-sighted civil


“You start


to realize


there’s


a whole


other


dimension,


which is


time, and it


makes you


recognize


that


there’s a


dynamism


to these


systems.”


— Robert Webb,
hydrologist and
repeat photographer

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HISTORY LESSONS


The Canadian
Rockies’ Opabin Peak
and surroundings,
in 1908 and 2012.
Free download pdf