MANUAL TRANSFORMS
Traditional plate cameras allow
photographers to maintain a
straight, vertical angle for the
camera back and, once locked
into position, independently adjust
the height and angle of the lens
relative to the back plate to adjust
the positioning of the subject within
the frame. This can be quite a tricky
procedure and usually requires a
fair amount of fine-tuning to achieve
the best combination of camera
plate movements. You can also
use tilt-shift lenses designed for
digital SLR or mirrorless cameras
to achieve similar results. Without
such cameras or specialist lenses,
you’ll need to find the optimum
angle from which to shoot to avoid
distortion, such as that caused by
converging verticals, or you can rely
on the Transform tools in Camera
Raw and Lightroom.
For architectural subjects,
I always recommend selecting
one of the Upright adjustments
to apply an instant auto transform
correction. And if that doesn’t
provide the degree of precision
required, then select the Guided
Upright option and manually add
constraints to define the edges
you wish to straighten.
With landscape images, like the waterfall example
shown in this article, Upright adjustments may still have
some effect, but if there are no obvious straight edges
in the scene for an Upright adjustment to refer to, such
adjustments may not always be meaningful. Therefore,
basic manual Transform adjustments may be the simplest
and most effective solution.
The Vertical slider can be used to correct for keystone
distortion such as when you’re photographing looking up
at a tall building, or looking down on a box. The Horizontal
slider can be used to correct for lateral distortion, where
the shooting angle perhaps appears to be too side-on.
In the example shown here, you can see how I applied
a negative manual Horizontal Transform adjustment to
correct for the image stretching on the right-hand side
of the frame.
In the As Shot version, the Canon printer in my office
looks a lot wider than a Desktop A2 printer! Likewise, the
plans chest below appears much wider than it really is.
Of course, in the corrected version, the iMac screen now
appears stretched. It’s essentially a balancing act to find
the optimum setting, but to my mind, the transformed
version appears to be more truthful to how my office
room looks in real life. n
“As shot” version
Horizontal Transform-corrected version
ALL IMAGES BY MARTIN EVENING
HOW TO
PHOTOSHOP USER
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JA N U ARY 2021