Amateur Photographer - UK (2019-06-28)

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subscribe 0330 333 1113I http://www.amateurphotographer.co.ukI 22 June 2019 41


LENS TEST Testbench

Resolution

Atitswidestfocallength,thelensappearstobe
sharpestin thef/4-5.6region,althoughcorners
lagbehindthecentre.Consistencyimprovesat
mid-rangeapertures,althoughattheexpenseof
overallresolution.Thisis mirroredatthe28mm
endalthoughoverallconstancyis betterhere,with
the lens working best around the f/5.6-11 range.

16mmcentre
20mmcentre
28mm centre

16mmcorner
20mmcorner
28mm corner

To k i n a O p e r a

16-28mm F2.8 FF

Curvilinear distortion

Barreldistortionatthewiderendofthelensis very
slight,andthisimprovesasyoubegintozoomin.
A smallerlevelofdistortioncanbemeasured
atthe28mmend,butthisreallyisn’ta problem.
Overall,it’simpressivetosee a wideangle zoom
corrected to this level.

Shading

Vignettingis visibleatthe16mmendofthelens,
butthisis onlymildandsoongetsbetterasyou
stopdowntheaperture.It doesseemtobea little
morestubborntowardsmiddleapertures,however.
Thingsarebetteratthe28mmendwideopen,with
vignetting disappearing when you stop down to f/4.

16mm f/2.8 28mm f/2.8

24mm 35mm

SMIA TV = -2.3% SMIA TV = 1.1%

Lensessuchastheseareclearlyintended
forlandscapes,interiorsandothertripod-
basedapplications,buttheirwideconstant
aperturesopenthemuptootherhandheld
work.Tryingtocaterforsucha widevariety
of usesis challenging,butthislenscertainly
hasa numberof thingsgoingrightforit.
Whilelabtestingshowsit tobelesssharp
wideopen,Tokinahasbeenclearthatit’s
optimisedforaperturesof f/4onwards.The
wayit managestocorrectforaberrationsin
generalis greattosee,particularlydistortion
andvignetting.
Atsucha highlycompetitiveprice,it’s
unreasonabletoexpectweather-sealingor
perfectlysilentautofocusperformanceas
wehaveelsewhere,butthesearethingsthe
averageusercanlivewithout. When you
considerwhatthislens
allowsyoutodoand
howwellit manages
todeliverit forsucha
reasonablesum,you
realiseit’sa goodbuy.It
getsfourstarsandour
Recommended Award.

Ve r d i c t

Distortionisn’tprominentenoughtobevisiblein real-world imagesCanon EOS 5DS R, 1/50sec at f/4.5, ISO 3200


Price£699
FilterdiameterN/A
Lenselements 15
Groups 13
Apertureblades 9
Aperturef/2.8-22
Minimumfocus
distance28cm
Dimensions
89x133.5mm
Weight950g
LensmountsCanon
EF,NikonF
Includedaccessories
Front and rear lens caps

Data file

outdoorapplications,althoughthisis easyto
forgivewhenyouconsiderhowkeenly the
lensis pricedagainstits rivals.


Imagequality
Asidefromthegeneralissueof justhowwell
thelenscanresolvedetailsoverall,themain
concernswithanopticsuchasthisarehow
wellit cancontrolcurvilineardistortionand
vignetting.Automaticcorrectionsfortheseare
notsupportedbycompatibleCanoncameras
(atleastnotrightnow),andmanualcorrections
overvignettinganddistortionwouldneedtobe
appliedbyNikonbodies,althoughlensprofiles
thatallowforone-clickcorrectionswillno
doubtappearbeforelongin AdobeCamera
Raw,Lightroomandothersoftwareprograms.
Fortunately,suchcorrectionsdon’thavetoo
muchtodoasthelensappearstobegenerally
wellcorrectedforthemostkeyaberrations.A
mildlevelof distortionis visiblein shotstaken
at 16mmalthoughthisdisappearsquicklyas
youstarttozoomin.Vignetting,whilevisible
in generalimages,is generallylowthroughout
andeasilycorrectedin software.
Sharpnessacrosstheframeis more
consistentasyoustopdown,butthis
inconsistencybetweencentralandperipheral
areasis perhapsthelens’sweakestpointof
performance.Thishasbeenonlymademore
difficultbytheneedtofocusquitecriticallyat
thewideangleendtoensurethatdepthof field
is maintainedforallsubjectsin theframe.
Lateralchromaticaberrationis visiblein
imagestakenat bothendsof thelens,butit’s
moreproblematicat thewideangleend.This
appearsasdefinedgreenandmagentafringes
overedgesof details,althoughmostof thiscan
becleanedupquitequicklywithsoftware(and
what’sleftdoesn’ttakemuchefforttosort
out).Interestingly,theprofile forTokina’solder
AT-X16-28mmF2.8PROFXseemstoapply
anappropriatelevelof correctionforthese
aberrationsandcanbeusedsuccessfully
until the new dedicated lens profi le arrives.


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