New York Magazine - USA (2021-02-01)

(Antfer) #1
february1–14, 2021 | newyork 15

A little over a year ago, I joined a chorus
admonishing the company. “Algorithms
that promote conspiracies and junk sci-
ence, and inconsistent application of your
terms of service, have resulted in a firm
that not only underperforms, but is dan-
gerous,” I wrote in a public letter to the
board. “The poor citizenship of Twitter is
bad. What’s worse is Twitter’s malfeasance
coupled with scant benefit to stakehold-
ers.” Despite the fact I owned $10 million
of the stock, the company didn’t even
respond, let alone act on the advice. So let
me put it a little more plainly.
Trafficking in misinformation is wrong.
Trafficking in misinformation with a
structurally unsound business model is
wrong and futile. But there’s an upside
here: Twitter’s financial weakness is what
gives it a chance for redemption.


setting aside the company’s poor finan-
cial performance, and ignoring the threat to
democracy that it poses, Twitter can boast
some extraordinary successes. The platform
is an essential element of the media and en-
tertainment spheres, both the nervous sys-
tem of pop culture and a pop-culture phe-
nomenon itself, with 187 million daily active
users. But it has never turned that engage-
ment into a strong business.
For a time, Donald Trump’s prolific use of
Twitter distracted investors from the com-
pany’s feeble business model. During his
tenure as president, Trump tweeted more
than 26,000 times and was tagged as often
as 1,000 times per minute. The unprece-
dented activity reversed a slide in Twitter’s
stock—but, tellingly, in the days after he was
kicked off the platform, the company’s mar-
ket cap shrank by $5 billion.
For Twitter, Trump was—as he has been
in politics—the loudest and most promi-
nent example of a broader trend. For
years, the company has been fostering the
forces of disinformation and division. A
2018 MIT study co-authored by the com-
pany’s own former chief media scientist
found that false news stories on Twitter
are 70 percent more likely to be retweeted
than true stories and spread across the
network at least six times faster. We wit-
nessed the real-world cost of this on Janu-
ary 6, when thousands of deeply misin-
formed Americans stormed the U.S.
Capitol—an insurrection that was, in part,
motivated by and organized on Twitter. As
a general corporate principle, you don’t
want to have to list “We occasionally act as
a handmaid to sedition” in the risk-factors
section of your Form 10-K.
For years, Jack Dorsey and Twitter’s
other top executives have been looking the
other way. Numerous external researchers


havemappedthespreadofgarbage on
Twitter, and they reach a consistent
conclusion:Atiny numberofsources
accountfornearlyallofthecontentgener-
atedontheplatform.Onestudyfoundthat
just 20 accounts(including@realDon-
aldTrump)wereresponsibleforone-fifth
ofallfalseclaimsmadeaboutvotingdur-
ing a portion of 2020. Another found that
just 24 external websites received 79 per-
cent of links promoting fake news and con-
spiracy theories. Banning the leading
sources of junk is an obvious move and
wouldbeat least partiallyeffective—one
group of researchers calculated that online
misinformation about election fraud fell
73 percent after Trump was banned.
With few exceptions, Twitter has
refused to do this. The company has put
resources into improving its bot-detection
and content-moderation tools over the
years, but the periodic PR announce-
ments about suppressing large numbers
of minor accounts (which are quickly
replaced) have served only to obscure the
truth: Twitter has let larger and more
destructive accounts run amok because
the company depends on the content and
engagement these accounts generate. The
real issue is Twitter’s ad-based revenue
model, which both is corrosive to the com-
monwealth and makes the company
worth less money.
Because the current model prioritizes
time on the platform at all costs, it pro-
duces an algorithm that amplifies enrage-
ment and polarization. Anyone who has
been on Twitter will recognize the compul-
sion to refresh the page just one more time
and get that dopamine hit, hate-reading
our enemies and enjoying the glorious
dunks of everyone else. The algorithm
knows it too, and it learns from our every
tap and dials up the doom.
Even if an ad-based model did not pro-
duce this digital exhaust, it would still be
destined to fail by Twitter’s insufficient
scale. The company’s reach is large com-

paredtotraditionalmedia’s butdwarfed
bythat ofGoogleandFacebook,which
dominatedigitaladvertising.Chokingon
thedust ofa duopolyis a difficultposition
fromwhichtobuilda business.
It ’s notimpossible toselladsinthe
shadowofGoogleandFacebook—infact,
therearecompaniesmuchsmallerthan
Twitter that are prospering. Snap’s disap-
pearing messages favor the personal over
the viral, and the company is valued at
nearly twice what Twitter is despite signifi-
cantly smaller sales. Pinterest builds audi-
enceswithinnicheslike food,fashion, and
crafts, aligning users around sources of joy,
not rage. It commands a value similar to
Twitter on less than half the revenue. Nei-
ther Snap nor Pinterest is free of issues, but
to date, nobody has rallied a mob to attack
the U.S. Capitol using tastefully curated
photos of bathroom remodelings.
Twitter is fundamentally a generalist
platform, however, and will have to be
proactive to move its users toward non-
destructive behavior. Building a profitable
business that doesn’t spew social harm
will require rethinking the basics.

facebook and google (which owns
YouTube) are in many ways far worse than
Twitter. But they are vastly more profit-
able—they each make more profit in a
single quarter than Twitter makes in rev-
enue in an entire year. Thus the cost of
cleaning up their act is higher, and the
ruthlessly capitalist argument for doing so
is more difficult to make. But Twitter’s in-
ability to turn its extraordinary reach into
extraordinary revenue means it can afford
to change the way it does business. It
doesn’t have that much to lose.
At the same time, I believe Twitter has
quite a bit to gain. That’s why I’m still a
shareholder (and will likely buy more),
even while I’m writing an article detailing
so many of the things I think are wrong
with it. Twitter is already a landmark com-
pany culturally, and with some robust

Twitter’s inability to produce big

profits means it can afford

to change its model. It just doesn’t

have that much to lose.
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