The Economist - USA (2021-01-30)

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The EconomistJanuary 30th 2021 Science & technology 65

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illuminated and unilluminated pixels.
The upshot of these various strengths
and weaknesses is that led tvs have bright,
high-definition images, while pictures dis-
played on oled tvs have richer colours and
more contrast. Moreover, lacking a back-
light, oled tvs can be made slimmer and
lighter than the ledvariety. oledscreens
are, however, trickier to manufacture. tvs
made with them are therefore more expen-
sive—sometimes more than twice the price
of a similar sized ledtelevision. For the
customer, it is thus a matter of, “you pays
your money and you takes your choice”.
One answer to the backlighting pro-
blem is to call on the services of micro
leds. Unlike standardleds, these are small
enough to be assembled like oleds into
image-forming pixels. Both Samsung, in
the form of a monster called The Wall,
which measures 146 inches (3.7 metres)
from corner to corner, and Sony, a Japanese
firm, in the form of a product called Crystal
led, have micro-ledsystems built from in-
dividual screen modules which can be as-
sembled to make displays of various sizes
for commercial use in places like sports
stadiums. Now, though, micro-ledtelevi-
sions aimed at the retail market are on their
way. At this January’s Consumer Electron-
ics Show (ces), held online rather than, as
is more usually the case, in Las Vegas, Sam-
sung unveiled a 110-inch micro-ledtelevi-
sion constructed as a single unit. This, it
says, will be the first in a new range of tvs
of various sizes that will go on sale later
this year. Television aficionados will,
though, need deep pockets to buy one. Re-
ports from South Korea suggest the new
model will cost more than $150,000.

Quantum mechanics
That will not last long. All new electronic
technologies start off being expensive in
this way. When Westinghouse brought out
the first colour tvin 1954 it cost $1,295,
equivalent to some $12,500 today. By the
1960s colour televisions could be bought
for a few hundred dollars. If new devices
are successful, prices tumble as produc-
tion volumes increase. Lining up 24m indi-
vidually controlled micro leds, each only a
few microns across, with the precision
needed for them to work as self-illuminat-
ing pixels in such a big television screen is
a tricky business. But Samsung says it has
found a way of doing this, based on its pro-
duction of semiconductor chips, which re-
quire similar precision.
Samsung reckons that, because micro
leds are made of inorganic materials, they
will last long enough for more than a de-
cade of viewing. This is a dig at oled
screens. There has been some concern that
the organic materials from which these are
formed may deteriorate, shortening the
life of a television which employs them.
This was, indeed, once true. lg, though,

maintains that it is no longer a problem be-
cause the manufacturing process has been
refined using improved materials to make
screens that are more resilient.
The logical end of this shrinkage of
light-generating elements is a screen that
has pixels made from quantum dots. These
are tiny semiconductor particles which, if
excited by light or electricity, glow in a spe-
cific colour that depends on their size.
Larger dots give off light at the red end of
the spectrum. Smaller ones shine blue.
Such dots are already used in some led
televisions as a layer above the backlight,
an arrangement known as qledthat helps
to produce brighter images and also im-
proves contrast. Quantum dots could,

though, at least in theory, be used in the
way micro leds are, as elements of individ-
ual pixels that emit their own light directly
from the screen. It is early days, but Sam-
sung, for one, has been looking at some
sort of hybrid screen which would com-
bine quantum dots with oleds.

Enter the mini
Just to confuse things further, televisions
called mini leds are also hitting the mar-
ket. tcl already makes devices which em-
ploy them, and Samsung and lghave just
launched their own versions.
Mini ledsare not the same as micro
leds. They do not produce an image but
are, rather, used to improve backlighting. A

A


lthough picturequalityhasim-
proved greatly with the development
of flat-screen televisions (see adjacent
article), sound has taken a dive. The
problem is that tvs with slimmed-down
screens have insufficient room for de-
cent speakers to be fitted to them, either
at the back or in the frame. Such televi-
sions are therefore usually connected to
an external sound system, such as a
sound bar or a home-cinema system, to
improve their audio quality.
The loudspeakers of early televisions
were as big as the screen, but engineers
have got good at making speakers small-
er and squeezing them into tighter
spaces. A conventional speaker produces
sound waves using an electromagnet to
vibrate a cone-shaped diaphragm, but
there are other ways to generate sound,
including employing an actuator to
vibrate a flexible panel. That raises the
question, why not vibrate the tvscreen
itself? And this is exactly what a couple
of television-makers are now doing.
Sony, of Japan, was the first to an-
nounce it had developed such a system,
which it calls Acoustic Surface. It is now
fitting this to some of its upmarket tele-
visions. Acoustic Surface employs a pair
of rear-mounted actuators to vibrate a
screen made with organic light-emitting
diodes (oleds). Unlike screens that
employ regular inorganic leds as a back-
light, oleds emit their light directly. This
means oledscreens have few layers—
and that, in turn, means they are easier to
make flexible and are thus able to vibrate
more easily.
This vibration is invisible to the view-
er and, Sony says, does not affect picture
quality. One beneficial consequence is

thata programme’s soundtrack is broad-
cast directly at the viewer instead of from
the side, as is the case with separate
speakers. It is also possible to create
stereo effects by moving the sound’s
point of origin across the screen.
The other version of vibrating-screen
technology now on offer is Cinematic
Sound, from lg, a South Korean firm.
This includes, as one of the screen’s
layers, a 600-micron-thick film that
works as an “exciter” to vibrate the dis-
play. It is all very snazzy. Sceptical au-
diophiles and Luddites will be pleased to
note, though, that both sorts of sound
screens can still be connected to separate
audio systems, if the owner so desires.

In your face


Television audio

Generating sound from the screen
Free download pdf