66 AH
LIB
RA
RY^
OF
CO
NG
RE
SS
SEPTEMBER 2019
REvIEWS
THE WRIGHT STUFF
Orville (left) and Wilbur
stand beside their Flyer.
> Yet the Wrights were skilled
and experienced photogra-
phers, again in author Larry
Tise’s opinion, “among the
great amateur photogra-
phers of the early twentieth
century.” They had their
own photo lab in Dayton
and took with them to North
Carolina’s Outer Banks a
nally made from those glass
plates, they include fascinat-
ing marginal details never
before published.
There are also numerous
close-ups that give glimpses
of everyday life—the Kitty
Hawk postmaster’s inquisitive
dog; a label on a shipping
crate; “shifty-eyed Samuel
Payne,” a lifesaver; Orville
carefully chiseling a wing
brace, his chest-brace hand
drill to one side; Chase &
;IVJWZVKWٺMMKIV[QV
the Wrights’ compulsively
neat 1902 kitchen. This is a
ZMUIZSIJTMJWWSÅTTMLVW\
only with hidden images but
hidden treasures.
Stephan Wilkinson
HIDDEN IMAGES OF THE WRIGHT
BROTHERS AT KITTY HAWK
by Larry E. Tise, History Press, 2019, $21.99.
Many people assume the only photographic
record of the Wright brothers’ most nota-
ble experiments with manned, controlled,
XW_MZMLÆQOP\Q[\PMQKWVQK[PW\WN7Z^QTTMWV
\ISMWٺ?QTJ]Z\ZW\\QVOM`XMK\IV\TaVMIZI
wingtip as though ready to grab something,
IVa\PQVOQN\PMÅZ[\ÆQOP\_MV\I_Za1V\PM
words of this book, it is “perhaps the most
famous and widely copied photograph in
human history.” >
camera that recorded images
on glass-plate negatives.
(What a wry happenstance
that “their” most iconic
XPW\WWN\PI\ÅZ[\\ISMWٺ
was taken by John T. Daniels,
a seaman from the Kill Devil
Hills Life-Saving Station.)
This slim but important
softcover volume does much
to correct that misappre-
hension, with hundreds of
long-lost photographs of
the Wrights’ work at Kitty
Hawk between 1900 and
- Many of them are from
restored and scanned nega-
tives damaged by Dayton
ÆWWL_I\MZ[QV!IVL
unlike cropped prints origi-