JON HENRY
38 • Poignant perspective
In visual artist Jon Henry’s se-
ries Stranger Fruit, sons pose
with their mothers as if they
are lifeless, re-creating scenes
of mourning. The mothers stare
through the camera’s lens, as
if holding onlookers account-
able for threats their sons could
one day face. In 2020—after
the killing of George Floyd by
police —the series took on new
poignancy. In his final moments,
Floyd, whose death sparked
protests across the U.S., called
out for his mother. Henry—
who last year won the presti-
gious Arnold Newman Prize for
New Directions in Photographic
Portraiture —says he hopes to
represent the long-term pain
of police violence: “When these
tragedies happen over and over
again, we see the families, the
protesters, all this media cover-
age, but after all of that is gone
the families and the mothers are
forgotten.” —Josiah Bates
ANITTA
27 • Sparking hope
BY J BALVIN
I always knew Brazil had a queen in
Anitta. We have a lot in common—like
me, she’s self-made. We met on Insta-
gram and started talking, and I realized
we share another quality: we don’t let
anyone else do our jobs. We like to do
everything ourselves.
Anitta’s a true hustler who turned
her movement into an empire. She took
the sound of Brazil—funk music, which
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