After the Avant-Gardes

Index 239

Kjoek, Solveig, 7
Klee, Paul, 10
knowledge, subjectivity of, 63
Kolisch, Rudolf, 212n11
Kosuth, Joseph, 11
Krauss, Rosalind, 173
Kremarik, Katherine, 221n29
Kristeller, Paul Oskar, 202–03n11
Kunstreligion, 66, 68, 206n18
Kuspit, Donald, 198n46

Lack, Richard
Realism in Revolution, 220n20[e]
Ladis, Andrew, 220n24
Lake, Paul, 132
landscape preferences, 110–120
“language poetry,” 130, 132
L=A=N=G=U=A=G=E writing, 141,
162
Lansing, Kenneth M., 226n54
“lawless order” (Lorand), 83
Lecter, Hannibal, 135
Leibniz, Gottfried Wilhelm, 62, 142–43
Leonardo
Mona Lisa, 111, 123
Lessing, Gotthold Ephraim, 59
Levi, Primo, 77–78, 80–82, 84, 86, 90,
93
on art, and survival, 78
on Dante, 79
Survival in Auschwitz, 79
Levinson, Jerrold, 38, 205n5
Li Zehou, 203n11
Lichtenstein, Roy, 45, 180
Lieberman, Philip
Eve Spoke, 145
life, as work of art, 88
Light (magazine), 136
literature
decline of, 141
and deconstruction, 145
emergent order in, 148
larger context of, 152–53
Liu, Maya, 177
Locke, John, 142
logocentrism, 145
Lorand, Ruth, 83, 211n21

Lowry, Glenn, 49–50, 228n1

Lucie-Smith, Edward, 195n3

Ludwig, Pascal, 200n3

Luther, Martin, 228n1

Lynch, David, 72

magical realism, 213n3

Magritte, René, 191

Mahler, Gustav, 100

Malevich, Kasimir, 43, 204n15

Black Square on a White Ground, 120

Mann, Thomas

Doctor Faustus, 27

Mansfield, Jayne, 125

Marr, David, 119

Martin, Agnes, 180

Marvell, Andrew, 156

Marx, Karl H., 26, 35

massive modularity, 116

Mather, George, 200n3

Matisse, Henri, 53, 213n2

McEvilley, Thomas, 170–71, 178,

219n18

The Triumph of Anti-Art, 171

McNeill, Daniel

Fuzzy Logic, 147

Mekjan, Sindre, 196n15

memory, as fractal, 149

metaphor, 158

MFA, 173–74, 217n8, 221n26

Michelangelo, 114

David, 39, 111

Michigan State University, 221n28

Milk(film), 179

Mill, John Stuart, 77–78, 80, 87–92

harm principle, 78, 87, 211n31

on the exhaustion of musical

combinations, 210n10

On Liberty, 87–92, 211n32, 211n33

mimesis, 48–49

mimetic art, 41, 202–03n11

mind

blank slate view of, 115

modules of, 109, 115–17

Moby-Dick(Melville), 150

modern art, 145

and abstraction, 17–18