Artists & Illustrators - UK (2021-04)

(Antfer) #1

HOW TO DRAW


W


hilewitnessingthe
passingoftheseasons
froma placeofrelative
consistency,I havegaineda deeper
appreciationofnatureoverthe
courseofthelastyear.Aswinter
stripsthefinalleavesfromthetrees
I tooktheopportunitytomakesome
large-scalecharcoaldrawingsofthe
paredbacklandscapearoundmy
homeinNorthWales.Makinga

CHARCOAL


ThewintryWelshlandscapenear
hishomeinspiredJAKESPICER
toexperimentwithcharcoal.
Learnhowto createsimilartextures
andeffectsinyourownwork

drawingofa well-knownviewbrings
withit allofthepitfallsoffamiliarity


  • it is tooeasytofallbackonprior
    expectationsandtoforgetthe
    principlesofstringentobservation
    andresponsethatshouldinform
    a gooddrawing– sotoheadoff
    complacencyI decidedtoexperiment
    withsomenewwaystousecharcoal.
    InthisarticleI’mgoingtotakeyou
    throughsomedifferentapproaches
    torepresentingthetexturesofa rural
    Welshlandscapeinbothwillowand
    compressedcharcoal,focusingon
    drawingasa meansofexplorationas
    muchasa methodofpicturemaking.
    I’llbeexploringseveraldifferent
    techniquesina singledrawing,each
    respondingtoa differenttextural
    aspectofthelandscape,relyingon
    thevelvetyblackcharacterofthe
    mediumtounifythedisparatemethods
    inthefinalimage.Thedrawingcame
    aboutastheresultofa longsketching


walk– a walkbesttake
providethespacetofeelpresentin
thelandscapeandtobeabletostop
anddrawwithoutneedingtoconsulta
walkingcompanion.
I madea dozenshortdrawingsin
charcoalinmysketchbookandtook
a fewmorephotographsasreference
oflightandshape.Bynecessityofthe
inclementweather,I hadtoworkon
themajorityofthedrawingathome,
reducingthesenseofpresenceinthe
drawingbutalsoallowingit roomto
beitsowncompositionratherthan
justa recordofitssubject.I used
thedrawingsmadeonthewalkfor
referencealongsidemymemoryof
thespotandthereferencephotos
thatI hadtaken.
Followingadvicefromthe
landscapepainterHesterBerry,
I mostlyusedphotographsonmy
phoneforreference.Workingona
largedrawingfroma small,poorly
definedimagestoppedmebeingtoo
reliantonthelimitedperspectiveofa
singlephotographandmadeit easier
forthesketchesandtheexperience
ofthesubjecttotakeprecedence.

HOW TO DRAW

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