THE MIXOLYDIAN MODE :

Examine the interval structure of the Mixolydian Mode versus the others listed in the table

below. Notice it is similar to the Ionian mode (major), except it has a flatted 7
th
.

Major scale, (Ionian mode) 1 (root) 2 3 4 5 6 7

Mixolydian mode 1 (root) 2 3 4 5 6 b7

Natural Minor scale, (Aeolian mode) 1 (root) 2 b3 4 5 b6 b7

Dorian mode 1 (root) 2 b3 4 5 6 b7

Pentatonic Minor scale (blues add b5) 1 (root) - b3 4 5 b7

Let’s examine a few common scale shapes for the Mixolydian mode based off of sixth and fifth

string roots. Eventually you will want to expand the mode to play across the entire fretboard. At
first that can be a bit overwhelming, so lets break it down to some bite size pieces that are

easier to digest.

Illustrated below are two shapes for the Mixolydian mode with root notes off the sixth and fifth
strings. Remember not to think of “shapes” or “positions” as modes. You want to get in the

habit of looking at the entire fretboard as the vehicle for the mode, not just a certain position. A

certain position is not a mode. Eventually try to work up to the point of learning the mode and

its interval structure across the entire fretboard.

Mixolydian scale low E string root

= root note

Fingering to

(^) be utilized

Mixolydian scale A string root
1 1
2 2
4 4
1
2
4
1
2
4
1 1
2
4 4
3
1
2 2
4
1
2
4
1
4
1 1
2
4 4
2