111
years, Imbolo Mbue
crafts an aching
narrative about
greed, community
and perseverance.
A PLACE LIKE
MISSISSIPPI
W. RALPH
EUBANKS
MARCH 16
From William
Faulkner to
Natasha Trethewey,
some of the most
prolifi c American
writers have hailed
from Mississippi.
Included in that
list is essayist
W. Ralph Eubanks,
whose newest work
of nonfi ction seeks
to understand the
state’s infl uence on
modern literature.
Eubanks takes
readers on a
literary tour of
his home state,
charting the role
Mississippi has
played in shaping
tells the story
of an unnamed
30-something
crippled by career
burnout who
is desperate
for an “easy”
job. Tsumura
chronicles
her narrator’s
experiences
as she moves
between jobs
that require little
thought or effort.
But as strange
and magical
moments arise,
the protagonist
begins to realize
that perhaps the
search for an
easy occupation
is harder than
she thought. It’s
a revelation that
plays out through
Tsumura’s sharp
prose and biting
observations on
late capitalism.
A LITTLE DEVIL
IN AMERICA
HANIF
ABDURRAQIB
MARCH 30
Poet and critic
Hanif Abdurraqib
crafts a stirring
account of the
relationship
between Black
artists and
American culture
in his new
book. A blend of
cultural analysis,
criticism and
memoir, A Little
Devil in America
takes a close
look at a wide
range of Black
performances,
from a dance
marathon to a
game of spades to
a performance by
neighbor who has
been detained by
ICE. The decision
comes as she
wants to know
more about her
own family—a
yearning that soon
yields revelations
about the legacy
of those who came
before her in Cuba.
Flipping among
the voices of
several characters,
Gabriela Garcia
creates a
thoughtful portrait
of women coming
to terms with the
diffi cult decisions
they’ve made in
their lives—and
the betrayals
they’ve committed
along the way.
LIBERTIE
KAITLYN
GREENIDGE
MARCH 30
Though Libertie
Sampson
grew up free in
Reconstruction-
era Brooklyn,
she knows that
freedom is limited.
Her mother wants
her to follow in
her footsteps and
become a doctor—
something Libertie
not only doesn’t
want to do but also
can’t because of
her darker skin.
As the young
woman wrestles
with what it means
to be free, a
notion made more
complicated by
time spent in Haiti,
Kaitlyn Greenidge
weaves together an
intricate narrative
about colorism,
classism and
community.
the writers who
lived there and
the work they
produced.
THERE’S NO
SUCH THING
AS AN EASY JOB
KIKUKO
TSUMURA
MARCH 23
The English-
language debut
from award- winning
Japanese writer
Kikuko Tsumura
Whitney Houston
at the 1988
Grammy Awards.
Throughout,
Abdurraqib writes
with urgency as
he highlights
what these
performances
mean, how they
connect to his own
feelings on grief,
love and life, and
where they fi t into
American history.
GIRLHOOD
MELISSA FEBOS
MARCH 30
In eight haunting
essays, Melissa
Febos unearths
the trauma of her
adolescence as
she picks apart
the burdens that
accompany being
a young woman.
In sharing the
darkness that
clouded her
coming of age,
Febos asks pointed
questions about
the expectations
placed on women
and how they
impact a person’s
sense of self.
Febos combines
her own stories
with investigative
reporting to argue
why we need to
transform the way
we think about
girls as they
grow up.
OF WOMEN
AND SALT
GABRIELA
GARCIA
MARCH 30
Jeanette is living
in Miami, where
she takes in the
daughter of a