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(Nora) #1

THE BORROWERS
BY MARY NORTON
Read by Iona Bower (blog editor) aged seven


Who, when they are small, could fail to
love a story about little people lording it
over big people? I was completely rapt by
this tale of tiny folk who lived beneath
the kitchen f loor, making use of the
everyday items of ‘human beans’ and
repurposing them: cotton reels to sit on,
matchboxes for chests of drawers... to this
day I’d still love a living room decorated
with giant paper made from sheets of
handwritten letters.
The book’s a proper thriller, too; I
devoured the second half in more or less
one go. It’s also a tale that never ages.
Published in 1952. Read it now and you’d
swear it was an allegory for the current
refugee crisis. I’ve read it as an adult, and
what struck me was the very complex
narrative structure for a children’s book.
It has a framed narrative (which I credit


for my later obsession with Wuthering
Heights). It’s told by someone called
‘Kate’ but you’re never sure if that is her
name, and she’s recounting a story by
Mrs May, who is in turn recounting
her brother’s story of meeting the
Borrowers. Still with us? Good. Becau
the story ends halfway through the
book. The rest is mere conjecture.
And that’s what I love about it. You
know nothing. It’s a huge leap of faith
but no one reads The Borrowers (even
the gut-wrenching twist of a last line,
which I won’t reveal) and doesn’t
‘just know’ they are real. My son
read it at the same age. I knew he’d
finished it when he came thundering
downstairs demanding: “Are there m
Borrowers books? It says in the back that
there are. Are the Borrowers real? Are
they OK?” And I said, “I don’t know.
You’d better read the others and decide.”
The Borrowers is a book that makes
readers. Give that Mary Norton a medal.

THE SECRET DIARY OF
ADRIAN MOLE, AGED 13 ¾
BY SUE TOWNSEND
Read by Rebecca Frank
(commissioning editor) aged 11

emember getting this book and
ading it all in one go on one of those
ng, boring Sundays when I would
gularly groan, ‘I’ve got nooothing to
o!’ Growing up in suburban
heffield, an avid diary writer with
a sharp northern tongue (and pen),
I loved the outpourings of angst and
anger from Adrian. He gave me an
insight into the mind of my older
brother and the boys at school, made
me think my parents weren’t that
after all and left me laughing,
cringing and crying. Sue Townsend’s
characters were spot on. Everybody knew
a girl like Pandora with her treacle hair
and pony and had a ‘friend’ like Nigel

who was your mate one minute and going
out with your crush the next. It was a
time in the 80s when mums were
breaking free from the kitchen, divorce
was on the rise and sales in microwaves
and ready meals soared as dads and kids
fumbled their way around the kitchen.
Reading it again recently, as a mum of
three, it made me wonder nervously what
my own kids really think of me. But it
also reassured me how quickly teenage
moods change and giggle at how at that
age you think the whole world is out to
get you and everybody is wrong and
ridiculous (except you). When you’re
growing up, you need books like this to
normalise and bring humour to the issues
that weigh you down. I look at my
teenaged girls and wonder what Adrian
would have made of social media. He’d
have been tweeting the BBC his poems
and secretly pouring over Pandora’s
Instagram account, of course.

“What child could fail


to love a story about


little people lording it


over big people?”


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THINK (^) | NOSTALGIA

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