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INTRODUCING 59 ...
People go just to take pictures, without engaging in the content or story that the artist is trying to convey. The resurgence of ...
‘I don’t want people to feel at home in my projects; they should feel like they’re on the moon or on Mars’ INTRODUCING 61 ...
62 PORTRAITS ...
From overview Mondays to junk-food Fridays, Oskar Peet and Sophie Mensen of OS 6 OOS maintain a balance between work and private ...
DONG-PING WONG says the creation of ‘unfamiliar environments’ for the likes of Kanye West and Virgil Abloh shaped the ethos of h ...
MILESTONES 65 ...
DONG- PING PART OF A TEAM responsible for a 60-something- storey tower at the tender age of 24, an assign- ment that led to a ca ...
MILESTONESMILESTONES Initially designed as a way to get noticed, the + Pool project is now – thanks to two successful Kickstarte ...
Following a contact established at OMA, Kanye West approached Family to work on his Paris apartment and, ultimately, a stage for ...
MILESTONES ‘Kanye gravitated towards my rough drawings, and I realized how quickly they communicate ideas’ 2014 OFF-WHITE HONG K ...
Co ur te sy (^) o f (^) H yp eb ea st 2017 FOOL’S GOLD RECORD STORE When Brooklyn-based record label Fool’s Gold celebrated its ...
2017 EMPTY GALLERY By 2017 Family had completed a string of Off-White boutiques, ‘each different, each treated as if it wasn’t a ...
With boulders and tree trunks as her subjects and mirrors as her tool, ALICJA KWADE manipulates our perception of time and space ...
WeltenLinie (2018) is about a transition between industrial, man-made objects and natural objects. Co ur te sy (^) o f (^) A lic ...
ALICJA BORN IN KATOWICE, Poland, in 1979 and now living and working in Berlin, artist Alicja Kwade speaks of her muse as the ‘bl ...
Co ur te sy of (^) A lic ja Kw ad e (^) a nd (^) K ön ig Ga ler ie in time. I’m trying to figure out what we believe reality is, ...
Photographed in her Berlin studio, Kwade creates installations that demand to be viewed from various vantage points. 76 PORTRAIT ...
ONE ARTIST, ONE MATERIAL 77 ...
the piece; they couldn’t go around it. I was quite surprised when I saw it at the Hayward Gallery, because it reads like another ...
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