You won’t see new keyframes until you stop playback.5. If you repeat the process, you’ll notice that the fader follows existing keyframes until you
make a manual adjustment.When you use the fader control to add keyframes, a lot of keyframes are added. By default,
a keyframe is added with every adjustment. You can set a minimum time gap for
keyframes.
6. Choose Premiere Pro CC > Preferences > Audio (macOS) or Edit > Preferences > Audio
(Windows). Select Minimum Time Interval Thinning and set a minimum time of 500
milliseconds (half a second is relatively slow, but it provides a balance between precise
adjustment and keyframe overload). Click OK.
7. Set the playhead to the beginning of the sequence, and use the Audio Clip Mixer to add
level keyframes using the fader control.The result is a much more orderly adjustment. Even with dramatic adjustments, the smaller
number of keyframes is much more manageable.You can adjust keyframes you have created this way just as you would adjust keyframes that
were created using the Selection tool or the Pen tool.
Tip
You can adjust pan in the same way as you would adjust volume using the Audio Clip
Mixer. Simply enable keyframing, play your sequence, and make adjustments using the
Audio Clip Mixer’s Pan control.The difference between Pan and Balance
Mono and stereo audio clips have different panner controls to set the level for each output
when producing a stereo or 5.1 audio sequence.
Mono audio clips have a Pan control. In a stereo sequence, this allows you to
distribute the single audio channel between available output channels. In the case of a
stereo sequence, this would mean choosing how much of the audio is in the left or
right side of the mix.
Stereo audio clips have a Balance control, which adjusts the relative levels of the left
and right channels in the clip.
The controls displayed vary depending on your sequence audio mastering setting and the
available audio in each clip you select.