recording voice-over, 69 – 70 , 251 – 252
repairing or cleaning up, 274 – 280 , 289 – 291
review questions/answers on, 266 – 267 , 294 – 295
samples and sample rate, 35 , 245 – 247
selecting without video, 151
sending to Audition, 257 – 258
speed changes and, 189
split edits, 260 – 261
sweetening, 270 – 271
syncing with video, 98
track types, 46 – 47 , 249
transitions, 178 – 180
volume adjustments, 252 – 257 , 261 – 265 , 281 – 282
waveforms, 247 – 248
audio channels
choosing, 95 – 97
explanation of, 96 , 244
interpretation tips, 97
setting number of, 243
Audio Clip Mixer, 15 , 242 , 263 – 265
audio effects, 270 , 282 – 289 , 291 – 293 , 299
Loudness Radar effect, 291 – 293
Notch effect, 287 – 289
Parametric Equalizer effect, 283 – 287
See also video effects
Audio Gain dialog box, 255
Audio Master setting, 46
audio meters, 244 – 245
audio noise reduction, 274 , 275 , 276 – 278 , 289 – 291
Audio Plug-in Manager, 287
Audio Track Mixer, 242 , 291 – 292
Audio workspace, 241 – 243
Audition, Adobe, 8 , 9 , 257 – 258 , 289 – 291
Auto Bezier interpolation, 228 , 319
Auto Gain option, 279
Auto Save feature, 20 , 38 – 39
Avid Media Composer, 443
B
background noise removal, 289 – 291
backups, file, 20 – 21
Balance control, 265