Adobe Premiere Pro CC Classroom in a Book (2019 Release), First Edition

(C. Jardin) #1
The process of multicamera editing begins with synchronizing multiple camera angles. You can do this using timecode or
a common sync point (such as the closing of a clapboard or a common audio track). Once your clips are synced, you can
seamlessly cut between multiple angles in Adobe Premiere Pro CC.

Starting the lesson


In this lesson, you’ll learn how to quickly edit multiple angles of footage that were shot
simultaneously. Because the clips were shot at the same time, Adobe Premiere Pro CC makes
it possible to cut seamlessly from one angle to another.


The multicamera production and post-production processes are more advanced than setting up
and managing the media from a single camera. You may not use the techniques explored in this
lesson. Still, it’s useful to understand the way Premiere Pro approaches multicamera source
material and automated synchronization.


Note
Adobe uses “multicamera” and “multi-camera” interchangeably both in the Premiere Pro
user interface and in the online Help documentation.

Even if you don’t work with lots of cameras capturing an event from multiple angles, you might
find it useful to use two cameras: one set close and the other set wide.


The workflow described in this lesson applies just as well to two cameras as it does to six or
more.

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