The Economist July 17th 2021 37
China
Independentpublishing
The small print
T
he beijing International Book Fair,
which takes place in August, gives the
betterknown view of China’s publishing
industry: statecontrolled and gargantuan.
The organiser, China Publishing Group,
owns 40 of the 580 governmentrun firms
that dominate the country’s $15bn book
publishing market—second in size only to
America’s. But another book jamboree,
held one month earlier in the capital,
shows a less familiar aspect. The abC Art
Book Fair, which this year ran for three
days from July 9th, is all that the other is
not: independent, eclectic and lean. Read
ers piled in to buy and browse the works of
140 independent publishers (last year’s
event is pictured). It reflects a small but
lively indiepublishing scene.
The government tightly controls print
ed matter. Publication codes, such as
isbns, that must be used by all books and
periodicals sold in China are allocated only
to staterun publishers (half of them based
in Beijing). Censors pore over works before
they go to print. The government gives an
other 200 privately owned publishers spe
cial permits to operate.
There are other small unofficial pub
lishers scattered across China. They may
be legally registered as businesses, but lack
publishing licenses. At the latest abC fair,
an event dating back to 2015, the majority
of exhibitors were illustrators, comicstrip
authors, photobook makers and publish
ers of what the industry calls zines (small
pamphletlike magazines). Some were pa
permakers, or studios offering highquali
ty printing by letterpress, silk screen or,
more affordably, by Risograph.
For decades until “reform and opening”
began in the late 1970s, only one retailer
was allowed to sell books to the public:
Xinhua Bookstore, a staterun firm. But
under Deng Xiaoping private publishers
and bookshops were allowed to operate
again, under close watch. Some bypass re
strictions on circulation by designating
their magazines as neibu, or for “internal”
reading. That allows distribution among a
limited group: neibumaterials may not be
sold to the public. Nongovernment pro
ducers of periodicals have to rent the re
quired codes from state entities that no
longer need them because the journals us
ing them are defunct. Independent book
publishers have to buy isbns from state
counterparts, an arduous procedure. Small
publishers sometimes purchase them in
Hong Kong, where doing so is cheaper and
far simpler. Such an isbndoes not give
automatic access to China’s market.
But independent publishers who keep
their content free of anything the Commu
nist Party might seriously dislike, and who
limit their printruns to just a few hun
dred, can still manage to thrive. “No one is
doing this to resist” authority, says a maga
zinemaker in Shanghai. Another, in the
southern city of Guangzhou, says she de
voted one issue to technology, but avoided
mention of debate about facial recogni
tion. “I can’t risk the magazine for one sen
tence,” she says. “I want to survive.”
Some publications are more daring.
One is Missionary, a thoughtful magazine
about gay life in China. (Official tolerance
B EIJING AND SHANGHAI
Despite strict controls, independent publishers are quietly flourishing
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