Method_acting

Carnicke (2009, 221).

Carnicke (1998, 1, 167) and (2000, 14), Counsell (1996, 24–25), Golub (1998, 1032), Gordon
(2006, 71–72), Leach (2004, 29), and Milling and Ley (2001, 1–2).

Benedetti (1999a, 283, 286) and Gordon (2006, 71–72).

Benedetti (1999a, 332).

Krasner (2000b, 129–130).

Abramson (2015, 135).

Flom (2009, 241).

French (2008).

Hamilton, Alan (17 May 1982). "The Times Profile: Laurence Olivier at Seventy-Five". The
Times. p. 8. "The American actor Dustin Hoffman, playing a victim of imprisonment and torture
in the film The Marathon Man, prepared himself for his role by keeping himself awake for two
days and nights. He arrived at the studio disheveled and drawn to be met by his co-star,
Laurence Olivier. "Dear boy, you look absolutely awful," exclaimed the First Lord of the Theatre.
"Why don't you try acting? It's so much easier." Never was a grosser untruth spoken in jest.
Laurence Kerr Olivier... would be the last man on earth to regard his chosen profession as
easy."

Gussow (1982).

Before Brando, There Was Dilip Kumar (https://www.thequint.com/entertainment/2015/12/11/be
fore-brando-there-was-dilip-kumar), The Quint, December 11, 2015

Hegde, Rajul (November 11, 2012). "Even actors of today have influences of Dilip Kumar" (http
s://www.rediff.com/movies/report/javed-akhtar-even-actors-of-today-have-influences--of-dilip-ku
mar/20121111.htm). Rediff. Retrieved 13 January 2019.

Kumar, Dilip (2014). Dilip Kumar: The Substance and the Shadow (https://books.google.com/b
ooks?id=J2UZBAAAQBAJ&pg=PT12). Hay House. p. 12. ISBN 9789381398968.

"Unmatched innings" (https://web.archive.org/web/20120208164035/http://www.thehindu.com/
arts/magazine/article597902.ece). The Hindu. 24 January 2012. Archived from the original on 8
February 2012. Retrieved 9 January 2015.

Kase (2011, 125) and Hull (1985, 10).

Benedetti (1999a, 351–352).

"Debunking Method Acting Myths with David Lee Strasberg" (https://strasberg.edu/blog/debunk
ing-method-myths-with-david-lee-strasberg/?fbclid=IwAR3BLt6S516Nx0JTYvOIGdVgk6rjTk
0SpZeK5y_gHCo9whzT7M2WfjcTo). Lee Strasberg Theatre & Film Institute.

Strasberg (1988, 44).

Benedetti (1999a, 18–19) and Magarshack (1950, 25, 33–34). He would disguise himself as a
tramp or drunk and visit the railway station, or as a fortune-telling gypsy. As Benedetti explains,
however, Stanislavski soon abandoned the technique of maintaining a characterisation in real
life; it does not form a part of his "system".

Skog (2010, 16).

"Don't Be Boring" (https://dramatics.org/dont-be-boring/). Dramatics Magazine Online. 2019-08-

Retrieved 2021-03-26.

Larry., Moss,. The intent to live : achieving your true potential as an actor (http://worldcat.org/ocl
c/1123917632). OCLC 1123917632 (https://www.worldcat.org/oclc/1123917632).

Hamden, Raymond. “Clinical and Forensic Psychology."

Grandey, Alicia A. “When ‘The Show Must Go On’: Surface Acting As Determinants of
Emotional Exhaustion and Peer-Rated Service Delivery."

Judge, Timothy A. "Is Emotional Labor More Difficult for Some than for Others? A Multi-level,
Experience-sampling Study."

Konin, Elly A. “Acting Emotions: Shaping Emotions on Stage."