TECHNIQUE
40. Checks and Balances
One of the most important stages in the design
process is self-correction. There may be a sense
of something being off, but it's difficult to pin
point the problem. To do this objectively, the
piece needs to be taken out of context. There are
several ways to check the work.
While rendering a two-dimensional representa
tion of a design, turning the sketch upside down
so that it can be seen as an abstract object
helps to make imbalances obvious. A version
of a sketch on tracing paper can be folded in
half down the figure's center to avoid unwanted
distortions.
The custom of working on the half is already
practiced in pattern making and draping because
it cuts down on human error when trying to
properly balance both sides of the garment. Even
patterns for some asymmetrical garments can be
started on the fold to ensure proper fit in areas
that should reflect each other, allowing for the
asymmetry to then be incorporated into
the pattern.
When considering the fabrication of a design, col
ors should be checked in different types of li ght
to have a clear vision of how the colors will read.
Fa bric should also be tested for transparency to
avoid unwanted overexposure.
Throughout construction, double-checking seam
allowance, dart lengths, and hems for consistency
is a good practice to develop. Finishing hems that
fall on the bias, like a circular skirt, should first be
allowed to hang for at least twenty-four hours,
because most fabric will end up sagging in those
areas. This will allow the designer to ensure an
evenly distributed skirt length.
86 Fashion Design Essentials
Color in a fabric under natural light appears
cool, with a blue cast.
Color in a fabric under incandescent light
appears warm, with a red cast.
Color in a fabric under fluorescent light
has a green cast.
