Pascal Baetens. Nude Photography. The Art and The Craft. 2007

(Elle) #1
126 exploring techniques

connecting with a location


Why bother to photograph a model on location if the place
has no context in the image? in Belgium we have an
expression “looking as a cow to a train,” which perfectly
describes the meaningless, disengaged expression and
body language that you sometimes see when someone
stands in front of a point of interest for a photograph.

A successful connection between subject and environment
creates a stronger impact on the viewer, but how do you
make that link? You might do it by visually repeating forms
or by juxtaposing elements to create tension or contrast. the
intensity and direction of light and your choice of lens and
viewpoint are also key, so make them support each other.

Repeating shapes
the easiest way to make a connection with a setting is to repeat shapes that
you find in the environment, or look for elements in the environment that mirror
the body’s forms. if you ever wondered about the origins of the heart shape, just
look at the image below. in the image on the right, the container envelopes and
repeats the roundness of the model’s bottom, which is emphasized by her pose.

Familiarity
once your model is comfortable at a location, you should encourage him
or her to try to get a sense of the place. Direct your model to touch and
feel, and to look into the scene. if your model appears to be familiar with
the location you will gain a sense of authenticity in the image.
Free download pdf