Beyond Good and Evil

(Barry) #1

1 Beyond Good and Evil


name for an actor). And the latter is really the malignant
reproach that Epicurus cast upon Plato: he was annoyed by
the grandiose manner, the mise en scene style of which Pla-
to and his scholars were masters—of which Epicurus was
not a master! He, the old school-teacher of Samos, who sat
concealed in his little garden at Athens, and wrote three
hundred books, perhaps out of rage and ambitious envy of
Plato, who knows! Greece took a hundred years to find out
who the garden-god Epicurus really was. Did she ever find
out?



  1. There is a point in every philosophy at which the ‘convic-
    tion’ of the philosopher appears on the scene; or, to put it in
    the words of an ancient mystery:


Adventavit asinus, Pulcher et fortissimus.


  1. You desire to LIVE ‘according to Nature’? Oh, you noble
    Stoics, what fraud of words! Imagine to yourselves a being
    like Nature, boundlessly extravagant, boundlessly indif-
    ferent, without purpose or consideration, without pity or
    justice, at once fruitful and barren and uncertain: imagine
    to yourselves INDIFFERENCE as a power—how COULD
    you live in accordance with such indifference? To live—is
    not that just endeavouring to be otherwise than this Na-
    ture? Is not living valuing, preferring, being unjust, being
    limited, endeavouring to be different? And granted that
    your imperative, ‘living according to Nature,’ means actu-

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