upkeep, our well is apt to become depleted, stagnant, or
blocked.
Any extended period or piece of work draws heavily on
our artistic well. Overtapping the well, like overfishing the
pond, leaves us with diminished resources. We fish in vain
for the images we require. Our work dries up and we
wonder why, “just when it was going so well.” The truth is
that work can dry up because it is going so well.
Younger Self—who can be as
balky and stubborn as the most
cantankerous three-year-old—is
not impressed by words. Like a
native of Missouri, it wants to be
shown. To arouse its interest, we
must seduce it with pretty pictures
and pleasurable sensations—take
it out dining and dancing as it
were. Only in this way can Deep
Self be reached.
STARHAWK
THEOLOGIAN
As artists, we must learn to be self-nourishing. We must
become alert enough to consciously replenish our creative
resources as we draw on them—to restock the trout pond, so
to speak. I call this process filling the well.
Filling the well involves the active pursuit of images to