MALAYSIA
lonelyplanet.com MALAYSIA •• Religion
There are still small, scattered groups of
Orang Asli in Peninsular Malaysia. Although
most of these people have given up their no-
madic or shifting-agriculture techniques and
have been absorbed into modern Malay soci-
ety, a few such groups still live in the forests.
Dayak is the term used for the non-Muslim
people of Borneo. It is estimated there are
more than 200 Dayak tribes in Borneo, in-
cluding the Iban and Bidayuh in Sarawak
and the Kadazan in Sabah. Smaller groups
include the Kenyah, Kayan and Penan,
whose way of life and traditional lands are
rapidly disappearing.
RELIGION
The Malays are almost all Muslims. But
despite Islam being the state religion, free-
dom of religion is guaranteed. The Chinese
are predominantly followers of Taoism and
Buddhism, though some are Christians. The
majority of the region’s Indian population
comes from the south of India and are Hindu
and Christian, although a sizeable percentage
are Muslim.
While Christianity has made no great
inroads into Peninsular Malaysia, it has
had a much greater impact in Malaysian
Borneo, where many indigenous people
have been converted and carry Christian as
well as traditional names. Others still follow
animist traditions.
ARTS
It’s along the predominantly Malay east coast of
Peninsular Malaysia that you’ll find Malay arts
and crafts, culture and games at their liveliest.
Malaysian Borneo is replete with the arts and
crafts of the country’s indigenous peoples.
Arts & Crafts
A famous Malaysian Bornean art is pua kumbu,
a colourful weaving technique used to produce
both everyday and ceremonial items.
The most skilled woodcarvers are generally
held to be the Kenyah and Kayan peoples, who
used to carve enormous, finely detailed kelir-
ieng (burial columns) from tree trunks.
Originally an Indonesian craft, the pro-
duction of batik cloth is popular in Malaysia
and has its home in Kelantan. A speciality
of Kelantan and Terengganu, kain songket
is a handwoven fabric with gold and silver
threads through the material. Mengkuang is a
far more prosaic form of weaving using pan-
danus leaves and strips of bamboo to make
baskets, bags and mats.
Dance
Menora is a dance-drama of Thai origin
performed by an all-male cast dressed in
grotesque masks; mak yong is the female ver-
sion. The upbeat joget (better known around
Melaka as chakuncha) is Malaysia’s most
popular traditional dance, often performed
at Malay weddings by professional dancers.
Rebana kercing is a dance performed by
young men to the accompaniment of tambou-
rines. The rodat is a dance from Terengganu
and is accompanied by the tar drum.
Music
Traditional Malay music is based largely on
the gendang (drum), of which there are more
THE PERANAKANS
One of Peninsular Malaysia’s most celebrated cultures is that of the Peranakans, descendants
of Chinese immigrants who, from the 16th century onwards, settled in Singapore, Melaka and
Penang. While these arrivals often married Malay women others imported their wives from China;
all of them like to refer to themselves as Straits-born or Straits Chinese to distinguish themselves
from later arrivals from China. Another name you may hear for these people is Baba-Nonyas, after
the Peranakan words for males (baba) and females (nonya).
The Peranakans took the religion of the Chinese, but the customs, language and dress of the
Malays. The Peranakans were often wealthy traders who could afford to indulge their passion for
sumptuous furnishings, jewellery and brocades. Today they are most famous for their delicious
fusion cooking that’s best experienced in Melaka (see p453 ).
MUST READ
The Harmony Silk Factory, by Malaysian
author Tash Aw, is set deep in the heart
of Peninsular Malaysia partly during WWII
and won the 2005 Whitbread First Novel
award.
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