should not try to know how every finished picture will look,
but it is important to be clear why we are making it.
Decide before you start whether you are drawing to
warm up, or to discover the best use of a new material,
to express the beauty in a moment's play of light, conduct
an experiment, make a calculation, shout against a terrible
injustice, or illustrate a dream. Opposite, I drew to
understand the apparatus of flight, while below, Leonardo
drew to invent a machine. Our drawings are annotated
investigations into the mechanisms of nature and of an
idea. We have both covered our paper with focused,
stripped-down parts, drawing in pursuit of our own
thoughts and understanding. My drawings of a house-
martin (opposite top) illustrate the importance of repeated
study. More was learned drawing the bird 18 times than
would have been understood drawing it only once or twice.
Each fresh image reflects growing confidence and the
experience of the preceding study. This also applies if
struggling at length with a larger picture; when it looks
tired and still feels wrong, it may be best to start afresh.
Don't be disheartened; time spent is not lost. It will be
invested through your experience in the new drawing.