GATHERINGS
The Human Condition
IN THE SPECTRUM of these vastly different gatheringsof people, we find a spiritual vision, a death charge ofbrutality, and the gentle humor of sedate ridicule. Wealso see qualities of line, mark, color, texture, and focus,which by their choice and handling actually become theforce and spirit of each image. Blake has illuminated hissaddened Virgil on the shores of a dark world, where hewatches a turbulent spiral of punishment for the damned.Misted in translucent layers of paint, pale souls of the lustfulare being spun into yet another realm of hell.Kathe Kollwitz scratched and engraved her army ofclay-footed troglodytes who rage into war like a mudslideof revenge. Heath Robinson lived through the same war-torn.era as Kollwitz, and sweetened the often bleak years with hisimpractical inventions. Opposite, a pink-inked cinema wobblesalong with string, inextinguishable in its fortitude and humor.WILLIAM BLAKE
British visionary, poet, writer artist, and engraver
who powerfully illustrated his own texts in addition
to Dante's Divine Comedy, the Bible, and other
works. Blake was driven by a passion for justice
and a profound belief in his visitations from angels.Brushed line and wash This is an ink-outlined drawing
made with a fine brush on paper with added washes of
watercolor The image was subsequently redrawn as a
line engraving. It illustrates a scene from Dante's Divine
Comedy. The muscularity of Blake's figures was inspired
by Michelangelo's works.The Circle of the Lustful
(The Whirlwind of Lovers)
1824
143 / 4 x 207 / 8 in (374 x 530 mm)
WILLIAM BLAKE