Sketch Book for the Artist

(singke) #1

GODS


AND


MONSTERS


Brushes

THE BRUSH IS A VOLUPTUOUS and delicate weights, thicknesses, materials, all perfect


drawing tool extending the arm, fingers, for drawing and, between them, giving a


and wrist into a fluid and soft touch. The variety of lines, washes, and effects,


living marks of a wet, ink-laden tip allow How you care for your brushes will


an expression that is beyond the linear; determine how long they last. Always


the very opposite of pencil or silver point. clean them thoroughly, return them to


Brushes vary in size, shape, and texture. their pointed shape, and never leave them


Some are bold, dense, and hold prodigious standing on their tip in a jar of water. Soaps


weights of ink or paint; others are as fine purchased from good art supply stores


as a whisker with a gentle touch. The will gently cleanse particles of pigment


brushes shown here are a mixture of that become trapped in the hairs or ferrule.


MATERIALS
This is a selection of riggers, liners, and writers, ideally suited to
drawing. They hold plenty of ink and make continuous, flowing, and
very fine lines. Shorter brushes designed for other purposes run
out of ink more quickly.


  1. SMALL JAPANESE BRUSH: Made with
    sable hair; this brush has a soft drawing tip
    and small ink-holding capacity.

  2. SYNTHETIC-HAIR LINER: This brush
    gives a medium line and is firm with a
    spring to the touch. It has exceptional
    painting characteristics.

  3. SABLE-HAIR RIGGER: Made with very
    long kolinsky sable hairs, it has good ink-
    holding capacity and is very flexible, with
    a fine point for delicate work

  4. SABLE-HAIR LINER: Made with
    ordinary sable hair surrounding an extra-
    long, needle-sharp center of kolinsky red
    sable hair. This design supplies the fine tip
    with a long continuity of ink

  5. SYNTHETIC-HAIR RIGGER: Made
    with long synthetic hair for fine-point
    work It has a good ink-holding capacity
    and is slightly more resilient than sable
    hair with more "snap."

  6. POINTED TRADITIONAL WRITER:
    The ferrule is made from a small duck
    quill, which holds long sable hair This brush
    holds large amounts of ink for long lines
    and points well for detailed work.

  7. SQUIRREL-HAIR SWORD LINER:This
    brush has a maximum ink-holding capacity
    and an extremely fine and flexible point

  8. SYNTHETIC-HAIR SWORD LINER:
    A lining brush with high ink-holding
    capacity and a fine point. Slightly less
    flexible than the squirrel-hair sword liner

  9. POINTED SQUIRREL-HAIR MOP: With
    a synthetic quill ferrule and extra high ink-
    holding capacity. Suitable for wash techniques
    but also capable of very fine detail.

  10. LARGER JAPANESE BRUSH: Made
    with natural hair held in a plastic ferrule on
    a bamboo handle. This brush has a broad
    wash capability and can achieve a very wide
    range of marks. It is still relatively small in
    the total range of Japanese brushes. Some
    used by master calligraphers are 2-3 in
    (5-8 cm) in diameter

  11. LARGER SYNTHETIC-HAIR
    LINER: Very responsive oriental-style liner
    This brush holds ink very well, is firm
    to the touch, and has a fine tip for
    detailed work.

  12. JAPANESE PAINTING BRUSH:
    Made with natural hair, it has good
    wash capabilities, making rt ideally suited
    to Japanese painting and small-scale
    calligraphy.

  13. SYNTHETIC-HAIR BRUSH: Bound
    in a synthetic ferrule with good ink-
    holding capacity and good spring and
    control. It is capable of very fine pointing.

Free download pdf