ARCHITECTURE
Future Fictions
THESE THREE HIGHLY DETAILED DRAWINGS invite us to
enter the long-shadowed architecture of imaginary worlds.
Boullee's monolithic apparition was drawn as a monument
to Sir Isaac Newton. Within it, antlike mortals might have
speculated upon the universe. This is the work of an
architectural theoretician; the ominous globe exists only as
a series of drawings. Among preparations for Fritz Langs
film Metropolis, made in 1926, we find other Utopian visions
soaring above normal life. Art director Erich Kettlehut's
vertiginous design for the city of a slavelike populace
had a future influence on movies such as Blade Runner.
Paul Nobles epic drawing summons an imperfect and
disturbing township where ruin and activity are equal
and strange. We glide over exquisitely drawn wastelands
of damage and abandonment, experiencing a fascinating
conflict between curiosity and desolation.
ETIENNE-LOUIS BOULLEE
French architectural theorist,
painter; and draftsman. Boullee lived
in Paris, and taught at the Academie
d'Architecture. His celebrated imaginary
buildings are characterized by pyramids,
spheres, arched vaults, cylinders, and
dramatic lighting.
Light illusions This pen-and-wash drawing
shows a subtle application of the principles
of illumination demonstrated with an egg on
p.96.The lower-left section of the building
appears relatively pale against a darker
sky, and the reverse is true on the right.
This shift makes the cenotaph appear
three-dimensional.
Newton's Cenotaph
1784
153 / 4 x 25 in (402 x 635 mm)
ETIENNE-LOUIS BOULLEE