Modern American Poetry

(Sean Pound) #1

(^476) Acknowledgments
“Soundings for Home” by Richard Poirier from Robert Frost: The Work of
Knowing. © 1977 by Oxford University Press, Inc. Reprinted by permission.
“How Shall I Be Mirror to This Modernity: William Carlos Williams’s
‘Paterson’” by James E. Miller, Jr. from The American Quest for a Supreme
Fiction: Whitman’s Legacy in the Personal Epic. © 1979 by the University of
Chicago. Reprinted by permission.
“Late Poems: Places, Common and Other” by Eleanor Cook from Poetry,
Word-Play, and Word-War in Wallace Stevens. © 1988 by Princeton University
Press. Reprinted by permission of Princeton University Press.
“Helmet of Fire: American Poetry in the 1920s” by Edward Hirsch from A
Profile of Twentieth-Century American Poetry, ed. Jack Myers and David
Wojahn. © 1991 by the Board of Trustees, Southern Illinois University.
Reprinted by permission.
“Siena Mi Fe’; Disfecemi Maremma” by Ezra Pound from Personae. © 1926
by Ezra Pound. Reprinted by permission of New Directions Publishing
Corporation.
“Spring and All” by William Carlos Williams from Collected Poems:
1909–1939, Vol. 1. © 1938 by New Directions Publishing Corporation.
Reprinted by permission of New Directions Publishing Corporation.
“Poetry” of Marianne Moore from The Collected Poems of Marianne Moore. ©
1935 by Marianne Moore; renewed © 1963 by Marianne Moore and T.S.
Eliot. Reprinted by permission of Scribner, an imprint of Simon & Schuster
Adult Publishing Group.
The Complete Poems and Selected Letters and Prose of Hart Crane by Hart Crane,
ed. Brom Weber. © 1933, 1958, 1966 by Liveright Publishing Corporation.
© 1962 by Brom Weber. Used by permission of Liveright Publishing
Corporation.
“Dice of Drowned Men’s Bones” by Langdon Hammer from Hart Crane and
Allen Tate: Janus-Faced Modernism. © 1993 by Princeton University Press.
Reprinted by permission of Princeton University Press.

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