Victorian Poetry
E. WARWICK SLINN song), the extent to which the speaker's expression is reactive means that external causes (social conditions, ...
Experimental form in Victorian poetry already begun with her childhood move from the masculine world of her father's books ("Whi ...
E. WARWICK SLINN poem is bound to disappoint us. "Here were the end," says the poet i n Book XII, invoking the irresolution of t ...
Experimental form in Victorian poetry NOTES 1 Elizabeth Barrett Browning, "To Mary Russell Mitford," 30 December 1844, in The Br ...
E. WARWICK SLINN 15 Such an effect should be distinguished from the work of the "Spasmodic" poets (Philip Bailey, Alexander Smit ...
4 CORNELIA D.J. PEARSALL The dramatic monologue Early in Augusta Webster's dramatic monologue, "An Inventor" (1870), the speaker ...
CORNELIA D.J. PEARSALL monologue, claims in The Poetry of Experience (1957) that these mono- logues are superfluous and unnecess ...
The dramatic monologue dramas," "mask lyric," and "monodrama." 11 And yet, as Tucker wisely remarks, " 'Dramatic monologue' is a ...
CORNELIA D.J. PEARSALL literary production that was for some time unnamable. Significantly, the best-known title of a collection ...
The dramatic monologue more fully distinguish the dramatic monologue from other genres, and more fully follow its own internal w ...
CORNELIA D.J. PEARSALL (RB 75), pertain to the alterations that his own body undergoes as the monologue progresses. 22 In the co ...
The dramatic monologue audience described it appreciatively but noted: "It is to be feared however that the men of this generati ...
CORNELIA D.J. PEARSALL what criticism of this genre has only begun to explore: namely, the range of conversations that engage th ...
The dramatic monologue but it functions nevertheless to provide a climate for the potent perfor- mance of her patron's thoughts. ...
CORNELIA D.J. PEARSALL The genre of the dramatic monologue, however, is eminently one that requires and therefore affirms a spea ...
The dramatic monologue Eulalie has not, however, been entirely alone in the course of the monologue, but rather flanked by past ...
CORNELIA D.J. PEARSALL most extreme examples of the performance of thoughts that this genre presents to us. The prevalence of so ...
The dramatic monologue diseased speaker of "The Leper" claims that in spite of his beloved's death, and his own impending demise ...
CORNELIA D.J. PEARSALL slave, the speaker of the dramatic monologue, presents an appalling indictment of the system of slavery, ...
The dramatic monologue monotony" (15). This still air is suffocating to her; at the end of the monologue, she complains, even as ...
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