xii acknowledgments
Cambridge UP, 2005; Modern Chinese Literature and Culture Re-
source Center → Publications, 2003 and 2007; Sidse Laugesen &
Anne Wedell-Wedellsborg (eds), Kineserne kommer! Dansk-Kinesisk poesi-
festival (The Chinese Are Coming! Danish-Chinese Poetry Festival),
Aarhus: Aarhus University, 2004;ljᮄ䆫䆘䆎NJ3, The Drunken Boat
6-I/II. Chapter Two: Tamkang Review xxxvi-4, Full Tilt 1, Poetry Interna-
tional 2006. Chapter Three: minima sinica 2006-1. Chapter Five: Modern
Chinese Literature and Culture 11-2, HEAT 8, Renditions 51, Seneca Review
xxxiii-2. Chapter Six: Journal of Modern Literature in Chinese 3-2, Renditions
- Chapter Eight: Journal of Modern Literature in Chinese 6-1, HEAT 5.
Chapter Nine: Lu Jie (ed), China’s Cultural Scene at the Turn of the 21st Cen-
tury, London etc: Routledge, 2008; Full Tilt 1, Index on Censorship 35-4.
Chapter Ten: Olga Lomova (ed), Recarving the Dragon: Understanding Chi-
nese Poetics, Prague: Karolinum Press, 2003. Chapter Eleven: Studies on
Asia 2-1 and 2-2. Chapter Thirteen: Modern Chinese Literature and
Culture Resource Center → Publications, 2007.
I thank the photographers whose work enlivens this book and their
portrayees, as well as the authors and editors of the publications in
which I encountered them, for permission to include the images in
question. Their names are listed in the captions. Unfortunately, many
of the photographers remain unidentified.