PhotographyandTime:Suspended
Animation
InthelifelongprojectthattheGerman
photographerAugustSandercalledMenofthe
20thCentury,
thisportraitofaColognelaborer
withaloado>brickswasoneamonghundredsof
preciselyposedstudiesofSander'scountrymen
Thetime
isbothdefiniteandambiguous:The
youngmanhaspausedbetweentakinguphis
burdenandlayingitdown,butthereisno
indication ofhour,
day
—
orevenyear.Holding
his
poseasifstandingstillforaportraitpainter,the
subjectrevealshistradewithdignitywithout
becomingastereotype.Askedwhyheworked
asa
Handlanger,orbrickcarrier,hereplied."There
alwayshastobesomeonewhocarriesstones.
"
In
a
friezelike
tableaureminiscentofclassia
sculpture,astreetrepaircrewisrecordedinstati
positionsthatdefymovementandtime.Thecentn
figure'sshovelis
poisedat
its
highestpoint,
th
patrolmanhasassumedacharacteristicstance,an
themanatfarrightsignalshissupervisorystatusa
hestandscasuallyscratchinghisarm.
Thus
held
i
time,the
workersbecomeanenduringsymbolc
theiroccupation—asignificanceheightenedbyth
factthattheirfacesareeitherfullyorpartial!
obscured,cloakingtheminanonymit)
AUGUSTSANDER
Laborer, 1927