PhotographyandTime:SuspendedAnimationInthelifelongprojectthattheGermanphotographerAugustSandercalledMenofthe20thCentury,
thisportraitofaColognelaborerwithaloado>brickswasoneamonghundredsofpreciselyposedstudiesofSander'scountrymenThetime
isbothdefiniteandambiguous:Theyoungmanhaspausedbetweentakinguphisburdenandlayingitdown,butthereisnoindication ofhour,
day—
orevenyear.Holding
hisposeasifstandingstillforaportraitpainter,thesubjectrevealshistradewithdignitywithoutbecomingastereotype.Askedwhyheworked
asaHandlanger,orbrickcarrier,hereplied."Therealwayshastobesomeonewhocarriesstones."In
afriezelike
tableaureminiscentofclassiasculpture,astreetrepaircrewisrecordedinstatipositionsthatdefymovementandtime.Thecentnfigure'sshovelis
poisedatits
highestpoint,thpatrolmanhasassumedacharacteristicstance,anthemanatfarrightsignalshissupervisorystatusahestandscasuallyscratchinghisarm.
Thusheld
itime,the
workersbecomeanenduringsymbolctheiroccupation—asignificanceheightenedbyth
factthattheirfacesareeitherfullyorpartial!obscured,cloakingtheminanonymit)AUGUSTSANDER
Laborer, 1927