PhotographyandTime:SuspendedAnimationTHOMASBROWNKitchen, 1968/(was(hemutedqualityofthelightthatfirstcaughtThomasBrown'seyeandledhim
to
makethispictureInwhat hecalls
the
"long
moment"thatthekitchenscenerepresents,everythingisinstaticbalance,atrestandwithnohintofimpendingmovement.Itisbetweenmealtimes—
anymeal,inalmostanyhomeofitskind.After
aspringrain,
adesertedstreetinasuburbandevelopmentnearPortland,
Oregon,wasrecordedwithaviewcameraExploitingmanyofthequalitiesoftenfoundinlandscapephotographs—
finedetail,subtlehuesandcareful
composition—the
photographergivestothisman-madescenesomethingofthetimelessserenityassociatedwithnaturalviews.Understill-roilingclouds,thedrenchedstreetwindsthroughtheclusteredrooftopslikeariverbetweenmountainpeaks.