PhotographyandTime:SuspendedAnimation
THOMASBROWNKitchen, 1968
/(was(hemutedqualityofthelightthatfirst
caughtThomasBrown'seyeandledhim
to
make
thispictureInwhat hecalls
the
"long
moment"
thatthekitchenscenerepresents,everythingis
instaticbalance,atrestandwithnohintof
impendingmovement.Itisbetweenmealtimes
—
anymeal,inalmostanyhomeofitskind.
After
a
springrain,
a
desertedstreetina
suburbandevelopmentnear
Portland,
Oregon,was
recordedwithaviewcameraExploitingmanyofthe
qualitiesoftenfoundinlandscapephotographs
—
finedetail,subtlehuesand
careful
composition
—the
photographergivestothisman-madescene
somethingofthetimelessserenityassociatedwith
naturalviews.Understill-roilingclouds,the
drenchedstreetwindsthroughtheclustered
rooftopslikeariverbetweenmountainpeaks.