The Art of photography

Photographyand

Time:TheSidelongGlimpse

LEEFRIEDLANDER:RevolvingDoors, 1963

Likemostpicturesinwhichtimeiscaughtaskew,

thisphotographraisesquestionsitrefusesto

answer.Whoarethepeople?
Whataretheydoing

there?Whyisoneman'slacecutoff,while

anothermanlooksrightatthecamera'-'Butthat

wasLeeFriedlander'spurpose—fopuzzle

theviewer,just
as

everyday

scenesoftendo