ThePrinciplesatWork:InPursuitofExcellence
Thephotographer
deliberatelyavoidedcatchinga
visualcrestofinterestinthepictureatleft.
choosingtoexposeinsteadatwhatseemstobea
random
instant,withtheoldmanpartlyhidden
undertheboardmghousestairsSuchdepictionof
"random"timeconveysanordinary,uncontnved
sortofperception.Andbyleavingoutsomething
expected
—
theheadofthesubject,
inthis
case
—-
joltstheviewerawake,/ustassuddensilence
candisturbacitydwellerusedtoconstantnoise.
In
a
portraitofthenovelistAldousHuxley,the
subjectisagainhalf-hidden
—
butnot,asatleft,in
anefforttoconveycasualperceptionHere,the
clevernessandpithystatementareparamount.
Huxley, ascathingsatirist,isshownspying
ontheworldwithonebespectacledeye
—
and
quitereadytodivebackintohiding.The
photographer
placed
a
lightbehindHuxley
so
his
shapecouldbeseenthroughthethincurtain.
suggestingthathewillbetherewatching
and
listeningevenwhenthecurtainisclosed
lb
ROBERTFRANKRooming
House
in
LosAngeles, 1955