ThePrinciplesat
Work:InPursuitofExcellence
Softlocusandsubtlegradationoftoneaidin
theexpressionofaclassicalsubject—twowomen
photographedtosuggesttheyarewatching
theburningofRomeInthepictonalisttradition
ofsimulating19thCenturypainting,the
photographersresponsetothesubjectishighly
romantic—
and
isexpressedinthelanguorous
poseofthewomen,thealmostliquidflow oftheir
gowns,andthelambentlight(presumably
fromflaminghouses)playingoverthescene.
Attheoppositepolefromromance,thepictureof
Welshcoalminersisallgrit,gnmnessand
hostility.Thegroupingofthemenagainstthe
backgroundoftheirrow housesseemstobelong
toa
traditionalsortoftimelessportraiture.Yet
therestlessnessoftheirmood,indicatedby
the
defiantcigaretteandtheavertedeyes,marks
theminersasprisonersoftheirtimeandplace
GEORGEHSEELEY.TheBurningofRome. 1906