Whatthe
CameraSees:ElementsonDisplayStrong
Patterns
Inboththenaturalandman-madeworld,shapesoftenrepeatthemselvesandpro-duceapattern—the
windowsofasky-scraper,theleavesshownhereinsilhou-ette,orthestarkhillsontheoppositepagePatterndiffersfromtexture,whichalsodisplaysrepetition,becausepatterndoesnotnecessarilyimplyathirddimen-sion,astexturedoesItisperhapsbecausepatternisakindoforderandourmindsseekorderintheworldaroundusthattheeyesearches,consciouslyornot,forpatternsinthesur-roundingscene.Ifasingleshapehasbeenmultipliedmanytimes,thepattern'sregularityisimmediatelyapparent.Iftheshapesaresimilarbutnotidentical,liketheshadedandsunlitslopesontheop-positepage,theordermaybelessobvi-ous—butthediscerningphotographerwhodetectstheunderlyingunitycanem-ploythatfacttocreatepicturesrepletewithsubtlerhythms.ThestronglyorderedpatternexhibitedinthisphotographolleaveswascreatedinpartbysomedarkroommanipulationThenegativewasunderexposedandoverdevelopedtosuppressdetailandwasthenprintedoncontrastypaperOneslightdeviationfromsymmetryenhancesthepattern'sorganizationThestemsarenotperfectlyopposed,buttaketurns,asitwere,astheyemergefromthebranch.GEORGETICETreeNo19,California, 1965