Whatthe
CameraSees:ElementsonDisplay
VividForms
Framinghissubjectagainsttheskytoemphasize
itsform,AaronSiskindconverts
a
pair offeet
intoanintricately
balancedsculpturethatmight
havebeencarvedbywindorwater.Inmakinga
picture,Siskindsays,"Iwantittobeanaltogether
new
object
—
completeandself-contained
'."
AARONSISKINDFeet, 1957
Form,liketexture,is
athree-dimensional
quality;torevealitinatwo-dimensional
picture,the
photographermustbealert
tothefeaturesofapicturethatconvey
thedepthinasubject—
above
all,
the
waythat
lightandshadowfallacrossa
scenetobringoutallofthecontours.
Form
maybeaccentuatedtoexpressa
subject'sidentityandfunction,asinthe
statuesqueimageatright.Ontheother
hand,formmaybeemphasizedforits
ownsake,simply
tocelebratetheintrin-
sicvisualinterestofanobject'scontours.
Thehumanfeetaboveweredeliber-
atelyremovedfromtheiranatomicalcon-
texttoarriveatanimagethatattempts
noliteralcommunicationbutissimplya
strikingarrangementofsolidobjects.