Graphic Design Theory : Readings From the Field

Theory at Work | 91

Jo Sef Müller-BrocKMann
Junifestkonzert, one of a series
of posters developed for a
Zurich concert hall, the Tonhalle,

1957. Through these posters
      Müller-Brockmann attempted
      to communicate the music of
      each particular concert using
      an abstract modernist visual
      language. This work exemplifies
      the rigorous minimalist structure
      of the International Style.