below). In the afterword, Haroldo writes that the Galáxias were ¤rst published in the
journal Invenção (São Paulo, 1964) and were subsequently published irregularly in
various places until 1976.
- Roland Greene, “From Dante to the Post-Concrete: An Interview with Au-
gusto de Campos,” in Harvard Library Bulletin, “Material Poetry of the Renaissance/
The Renaissance of Material Poetry,” 3, no. 2 (summer 1992): 20. - Gertrude Stein, How to Write (1931; Los Angeles: Sun & Moon, 1995), 248.
- For an excellent discussion of Stein’s abstract visual word designs in various
texts, see Ulla Dydo, “Stop Look and Listen: A Digression on the Picture of a Page of
Gertrude Stein,” Big Allis 6 (1993): 15–27. - See Haroldo de Campos, Galaxies, traduit, Inés Oseki-Dépré & l’auteur
(Paris: La Main courante, 1998), unpaginated; Haroldo de Campos, “de Galáxias,”
trans. Suzanne Jill Levine (from a basic version by Jon Tolman), in Desencontrários/
Unencontraries: 6 poetas brasileiros/6 Brazilian Poets, ed. Josely Vianna Baptista (São
Paulo: Bamerindus, 1995), 70–73. There is to date no complete translation of the
Galáxias into English. - See Marjorie Perloff, Radical Arti¤ce: Writing Poetry in the Age of Media (Chi-
cago: University of Chicago Press, 1991), 115–20. - Rosmarie Waldrop, Lawn of Excluded Middle (Providence, RI: Tender But-
tons, 1993), 13. - Ludwig Wittgenstein, Philosophical Investigations, 3rd edition, trans. G. E. M.
Anscombe (New York: Macmillan, 1958), #115. - Rosmarie Waldrop, Reluctant Gravities (New York: New Directions, 1999), 4.
- Steve McCaffery, “Aenigma,” in “Hegel’s Eyes,” Theory of Sediment (Vancou-
ver: Talonbooks, 1991), 38. - Joan Retallack, How to Do Things with Words (Los Angeles: Sun & Moon,
1998), 105–06. - Kenneth Goldsmith, No. 111 2.7.93—10.20.96 (Great Barrington, MA: The Fig-
ures, 1997), 3, and online at http://w w w.ubuweb.com/111/0001-0100/02.html.
Chapter 10
- Peter O’Leary, “Quod Vides Scribe in Libro,” Introduction to To Do as Adam
Did: Selected Poems of Ronald Johnson (Jersey City, NJ: Talisman House, 2000), xii.
Citations from this volume are reproduced using, as far as possible, the same size font
as in the original. - Ronald Johnson, Preface, Songs of the Earth (San Francisco: Grabhorn-
Hoyem, 1970), unpaginated; rpt. in O’Leary, Selected Poems of Ronald Johnson, 63–78. - Henry-Louis de La Grange, Gustav Mahler, vol. 3, Vienna, Triumph and Dis-
illusion (1904–1907) (New York: Oxford University Press, 2000), 102–05. - Eugen Gomringer, “The Poem as a Functional Object” from the Foreword to
33 Konstellazionen, in Mary Ellen Solt, ed., Concrete Poetry: A World View (Bloom-
ington: Indiana University Press, 1971), 69–70.
294 Notes to Pages 183–195