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The author gratefully acknowledges permission to reprint excerpts from the
following sources:
Rae Armantrout, The Pretext (Los Angeles: Green Integer, 2001). Used by per-
mission of Sun & Moon Press.
Christian Bök, Eunoia (Toronto: Coach House Books, 2001). Used by permis-
sion of Coach House Books.
Jorie Graham, “Evolution,” in Never (New York: Ecco/HarperCollins, 2002),
copyright © 2002 Jorie Graham. Used by permission of HarperCollins
Publishers Inc.
Susan Howe, “Secret History of the Dividing Line,” in Frame Structures:
Early Poems, 1974–1979 (New York: New Directions, 1996), copyright ©
1974, 1975, 1978, 1979, 1996 Susan Howe. Used by permission of New Di-
rections Publishing Corporation.
Harr yette Mullen, Muse & Drudge (Philadelphia: Singing Horse Press, 1995).
Frank O’Hara, “Lana Turner Has Collapsed!” in The Collected Poems of Frank
O’Hara, ed. Donald Allen (Berkeley and Los Angeles: Univ. of California
Press, 1995), copyright © Frank O’Hara. Used by permission of City Lights
Books.
Ezra Pound, “Canto LXVIII,” in The Cantos (New York: New Directions,
1993), copyright © 1934, 1937, 1948, 1956, 1959, 1962, 1963, 1966, and 1968
Ezra Pound. Used by permission of New Directions Publishing Corpora-
tion.
To m R a w o r t h , Collected Poems (Manchester, Eng.: Carcanet Press, 2003).
Used by permission of Carcanet Press, Ltd.
Joan Retallack, How to Do Things with Words (Los Angeles: Sun & Moon,
1998). Used by permission of Sun & Moon Press.
Jacques Roubaud, Quelque chose noir (Paris: Gallimard, 1986). Used by per-
viii Acknowledgments