The Yale Anthology of Twentieth-Century French Poetry

(WallPaper) #1
MICHEL LEIRIS

Songs were to come and go, leaving no traces. Each object looked at us with a
child’s eyes, before the birth of fear.
Now the mountains are burning, and I am a country laid waste.
—mary ann caws


Michel Leiris 1901–1990


paris, france


L


eiris was a poet who, on the side of the Surrealists, sought to change the
world via humanism and, on the side of the existentialists, sought to
found a morality based on authenticity. He broke with Surrealism in


  1. In 1931 he joined the ethnologist Marcel Griaule and a group of linguists


and ethnologists in the Mission Dakar-Djibouti. Together the team explored


sub-Saharan Africa and its cultures, bringing back to Paris more than three


thousand objects destined for the Musée d’ethnographie du Trocadéro, a witness


to the negrophilia omnipresent in that period. During the two-year expedition


he wrote his first book, L’Afrique fantôme, discovering through the process his


dual passion for ethnography and autobiography. He continued to study the


various facets of subjectivity in his prolific autobiographical writings. In 1938 he


founded the Collège de sociologie with Georges Bataille and Roger Caillois.


When he died, he left a great deal of his work unpublished. Principal works: Le


Point cardinal, 1927; Tauromachies, 1937; L’Age d’homme, 1939; Glossaire, j’y serre


mes gloses, 1940; Haut mal, 1943; Nuits sans nuit, 1945; Aurora, 1946; La Règle du


jeu: Bi√ures, 1948; Fourbis, 1955; Grande fuite de neige, 1964; Fibrilles, 1966; Autres


Lancers, 1969.

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