The Yale Anthology of Twentieth-Century French Poetry

(WallPaper) #1
HENRI MICHAUX

Love
facecard troublesome to play


Queens Kings and Jacks
set o√ in red and black
frolic to an old air
—keith waldrop


Henri Michaux 1899–1984


namur, belgium


A


painter, journalist and poet, the reclusive Michaux became one of
France’s foremost writers. André Gide, in his article ‘‘Discovering
Henri Michaux’’ (1941), played a large part in publicizing his work. For

an author accustomed to publishing under a pseudonym, such exposure proved


unnerving. Michaux moved to Paris in 1923 and soon afterward began to paint


and contribute to avant-garde reviews. He traveled widely throughout North and


South America, Asia, and Africa, documenting his trips in several travelogues.


He also experimented with mescaline; his writings, and the drawings that accom-


pany them, explored exaltation and agony as states induced by the drug. In 1965


he refused to accept the Grand Prix National des Lettres in protest against the


practice of awarding such prizes. Principal works: Un Certain Plume, 1930; Loin-


tain intérieur, 1938; Peintures, 1939; Épreuves, exorcismes, 1940–1944; Apparitions,


1946; La Vie dans les plis, 1949; Passages, 1950; Mouvements, 1952; Misérable Mira-


cle, 1956; Paix dans les brisements, 1959; Émergences-resurgences, 1972; En rêvant à


partir de peintures énigmatiques, 1972; A√rontements, 1986.

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