The Yale Anthology of Twentieth-Century French Poetry

part 5. 1967–1980: the explosion of the next generation

French and American poets—a mode of expansion and exchange that is
common to the majority of the poets included in this volume.

Notes

1. In Norma Cole, Cross-Cut Universe: Writing on Writing from France, trans. Norma
   Cole (Providence: Burning Deck, 2002), p. 41.


2. See the extraordinary volume Poésure et peintrie (Marseille: Musée de Marseille,
   1993).


3. Cole, Cross-Cut Universe, p. 24.


4. Cole, ibid., p. 31.


5. Term used in Glen Fetzer’s ‘‘(Le) Voyage Reykjavik and Emmanuel Hocquard’s
   ‘Poetics of Simulacra,’ ’’ French Literary Studies 28 (Lincoln: University of Nebraska Press,
   2002), pp. 1–14. In a note, he introduces Hocquard’s ‘‘Il rien’’ (from Un privé à Tanger),
   which alludes to the strategy of the Objectivist poet Charles Rezniko√, who gathers
   archival details and makes them into verse, without intervening therein (p. 7, n. 4).