National Geographic Masters of Photography
Mountain scene. Beach, New Zealand. ...
Lesson 18: Wait and Work the Shot Crashing waves. Moving surf. ...
Moving clouds. ...
/HVVRQV±$QQLH*ULI¿WKV²&RORUDQG/LJKW $QQLH*ULI¿WKV²&RORUDQG/LJKW Lessons 19–20 A s we all know, light is the ...
XVXDOO\¿QGVRIWHOHJDQWFRORUVEHIRUHWKHVXQULVHVRUDIWHULWVHWV6LWXDWLRQV in which there isn’t much color can also be ...
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rim or frame for a subject. Nature photographers often use backlighting on days when the sun is harsh, and fashion photographers ...
/HVVRQV±$QQLH*ULI¿WKV²&RORUDQG/LJKW Choose a subject you’re passionate about, perhaps your children or even your ...
Compose with Color Lesson 19 $OOLPDJHVLQ/HVVRQVDQG$QQLH*ULI¿WKV Silhouetted giraffe. ...
Lesson 19: Compose with Color Performer. Dancers. ...
Fireworks, Sydney harbor. Moody scene. ...
Lesson 19: Compose with Color Spider web. Man and horse in snow. ...
Saint Louis arch. ...
Lesson 20: Write with Light Write with Light Lesson 20 %XWWHUÀLHV ...
Girl in dappled light. Boy in hammock. ...
Lesson 20: Write with LightMen working, silhouetted. ...
Man at Victoria Falls. Church. ...
Lesson 20: Write with Light Mother and children. Rancher. ...
William Albert Allard—Storytelling Lessons 21–22 P rofessional photographers often travel the world to produce photographic essa ...
Lessons 21–22: William Albert Allard—Storytelling it may show good use of negative space. Look particularly to see where your su ...
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