Lessons 13–14: Jodi Cobb—People in Their Environments

Jodi Cobb—People in Their Environments

Lessons 13–14

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lways keep in mind that photography is communication: You are

telling a story in every image. And you need to be clear about what

that story is and what the message is that you want to convey. Some

photographers have a passionate curiosity about people; they’re attracted to

stories that explore the human heart and condition. Others are interested in

ideas, cultures, and traditions—particularly those that may be disappearing

in the modern world. In these lessons, we’ll look at the challenges of gaining

access to the private worlds of other people for those who are drawn to these

subjects.

Approaching Subjects

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many photographers. In these situations, your attitude is important. Don’t be

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the same time, you need to be honest with the people you approach. Tell them

what you’re doing, and don’t make promises you can’t keep. Treat potential

subjects with respect. And remember, you’re not the only photographer in

the world. If you aren’t nice to potential subjects, someone else will come

along behind you and get the images you want.

The more time you have to spend with a subject, the better your photographs

will be. But even if you have only a very short time with someone, try to

establish a relationship. For whatever reason, you’ve singled certain subjects

out for your attention; show them that they’re special.

Working with People

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is to outwait that pose and wait for the real person—or dog—to emerge.

Learning to become invisible is also important for photographers who

specialize in photographing people, as is being able to anticipate when a

moment will happen.