original    rhinestone-aproned  stage,  where   Billy   Rose's  famously    zaftig
chorus  line    once    kicked, was still   there,  and the giant   space   where   the
horseshoe-shaped    bar once    stood   was empty,  the floorboards torn    up.
Around  the edges   of  the cavernous   chamber were    the remnants    of  private
booths  and banquettes  where   Legs    Diamond and Damon   Runyon  and
Arnold  Rothstein   and gangsters,  showgirls,  floozies    and celebrities—the
whole   Old Broadway    demi-monde  of  the Winchell    era—used    to  meet
and greet   and make    deals,  place   bets,   listen  to  the great   singers of  the
time    and get up  to  all sorts   of  glamorous   debauchery. The sheer   size,   and
the fact    that    you had to  slip    through a   roughly smashed-in  wall    to  enter
the chamber,    made    the visitor feel    he  was gazing  upon    ancient Troy    for
the first   time.
Upstairs, in the real world, however, things were going quickly sour.
I   was,    I'm telling you for the record, unqualified for the job.    I   was in
deep    waters  and fast-flowing    ones    at  that.   The currents    could   change  at
any time,   without warning.    One day,    I   attended    a   chefs'  committee
meeting on  the East    Side    and returned    to  find    that    the whole   menu    had
been    changed back    into    Italian!    This    included    the listings    on  the
computer,   so  that    when    I   expedited   that    evening,    I   found   myself  in  the
unenviable  position    of  having  to  read    off items   in  Italian,    translate   them
into    English in  my  head,   and call    them    out to  my  Ecuadorian  crew    in
Spanish.    I   had to  learn   some    fast    mnemonic    tricks  to  keep    up, like:   "I
want    to  Lambada—just    for the Halibut,"   so  that    I   would   remember    that
lambatini   was Italian for halibut,    or  "I  fucka   you in  the liver"  to  recall
that    "fegato"    meant   liver.
I   worked  seventeen   hours   a   day,    seven   days    a   week,   surrounded  by  a
front-of-the-house  crew    who'd   been,   for the most    part,   with    the company
a   long    time,   and were    fiercely    dedicated   to  all things  Pino.   They    were    so
gung-ho in  their   ambitions,  or  so  frightened  of  failing,    that    they'd
cheerfully  drag    a   knife   across  your    throat  if  you so  much    as  dropped a
fork.   The GM  was an  overgroomed tall    blond   northern    Italian,    an
