Amateur Photographer - UK (2019-07-26)

(Antfer) #1
12 20 July 2019I http://www.amateurphotographer.co.ukI subscribe 0330 333 1113

Weneedtotakeresponsibilityforour
photographswhilewecan,toavoidthose
left behind having to do all the work

View point

Ailsa McWhinnie

Doyouhavesomethingyou’dliketogetoffyourchest?Sendusyourthoughtsinaround
500 wordstotheaddressonpage 14 andwina year’sdigitalsubscriptiontoAP,worth£79.

O

fallthethingsI expected
to wakeupto on1 January
thisyear,it wasn’tthenews
thatmylategrandparents’
possessionshadgoneupin smoke.At
around7.45pmthenightbefore,a fire
brokeoutat theShurgardstoragefacility
in PurleyWay,southLondon.Bytheearly
hoursof NewYear’sDay,theentire
building– whichhoused1,198rentedunits


  • hadbeenrazedto theground.Nothing
    wassalvaged.Wewereluckierthanmany.
    Somelosteverylastbelonging;others
    theirlivelihoods.
    Mygrandfatherdiedin 1995,andmy
    grandmother(or,tobemoreaccurate,
    mystep-grandmother)continuedliving
    in theirflat until2016,whendementia
    meantshehadtomoveintoa nursing
    home.Notlongafterthis,wesoldthe
    property,andmysisterandI were
    taskedwithsortingthroughtwo
    lifetimes’worthof belongings.However,
    despitea longandrespectedcareer
    in politics,mygrandmotherhad
    surprisinglyfewmementosof it. My
    grandfatherhadbeena wonderfulartist.
    Fortunately,overtheyears,a numberof
    hispaintingshadbeendistributedaround
    oursmallfamily.Butit’sthetwoself-
    portraits,whichwerein thestorage unit,
    thatI willmissthemost.


Tacklingtheprints
WhilemysisterandI foundourselves
capableof beingreasonablydispassionate
aboutwhatwouldgointotheShurgard
unitandwhatwouldgotohouse
clearanceoncewe’dpackeduptheflat,
it wasthephotographsthatproved
paralysing.Earlyonin thefirstday,I set
asidea smallbundleof black& white
prints,whichI tookhometoscan.These
formedonlya tinyportionof whatwasto
come.Shortlyafter,weuncoveredboxes
andboxesandboxesof printsthatwe
simplydidn’tknowwhattodowith.
Nottomentionthehundredsof small,
rectangularplasticcontainersthathoused
thousandsof 35mmcolourslides.We
opened one or two of them, but no more.

Overwhelmedbythispoint,weaddedit
alltothepileof itemsfortheremoval
mentotaketothestorageunit.We’d
dealwiththem‘oneday’.
Butit wasn’tourjobtodealwiththem.It
shouldhavebeenuptomygrandparents.
Whyhadn’ttheysortedthroughtheprints
andslides,kepta handfulthatwere
meaningful,putthemin analbumand
ditchedtherest?I wasleftaskingmyself
howmuchthesepictureshadactually
meanttothem.Andif theydidn’tmean
anythingtothem,whyshouldtheymean
anythingtous?It maysoundbrutal,but
living– asmysister,motherandI alldo


  • in smallflats,wearen’tin a position
    tokeepstuffsimplybecausethepeople
    thosethingsbelongedtoarenowgone.
    Somymessageis this.If youhave
    decades’worthof disorganised
    photographs,gothroughthem.Keep
    perhaps1%,andchucktherest.Because,
    shouldtheunthinkablehappen,andyour
    offspringenduplosingalmostevery
    oneof thoseunsorted,unlovedprintsin
    deeplyunpleasantcircumstances,you
    mightfindtheirreaction is not one of
    grief,butrelief.


‘Ifyouhavedecades’

worthofdisorganised
photos, go through them’

Ailsa’sgrandfather(centre)in anunnamed
(andsurreal)playfromthe1930s.Oneof
only a few photos that didn’t go into storage

THE VIEWS EXPRESSED IN THIS COLUMN ARE NOT NECESSARILY THOSE OF AMATEUR PHOTOGRAPHER MAGA ZINE OR TI MEDIA LIMITED


©
ALSA
MCWH
NN
E

AilsaMcWhinniehasworkedin photography
magazinesformorethan 25 years.Sheis oneof
Amateur Photographer’s features editors.

© JAMES ABBOTT

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