POLITICS OF ARISTOTLE

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40 ARZSTOTLE >.s PoLzmx


allow,-that there must be a common idea of virtue; this Gorgias
the Sophist in the infancy of philosophy is unable to understand,
and in reply can only enumerate separate virtues. The tendency
in the Aristotelian writings to refer 'to Plato, the mention of
Gorgias, and the opposition between the general idea of virtue and :
the particular virtues sufficiently prove that the passage in the
RIeno is intended. i
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    1. Kai 6 $V 80;Xos TdV $&fl UKV70TdpOS 6' Oi&iS.
      Aristotle is contrasting the lot of the slave and of the artisan.
      The slave is in one respect better off than the artisan because he
      is directed by a master, whereas the artisan has no intelligence but
      his own by which to guide his life. He too is a slave without the
      advantages of slavery. Thus Socialist writers, like Lassalle and
      others, in recent times have contrasted unfavourably the lot of
      the modern operative with that of the medizval serf. We may
      note in modern times the civilizing influence of domestic service
      on the homes and manners of the poor. Many a household
      servant in England has received an impress from a master or
      mistress, and in Aristotle's language, 'has derived a virtue from
      them.' cp. iii. 5. 5 4, T&W 6' dvayKah oi piv id hsi~oup~o~~r~s ~d
      Toiaka doShoi, oi 62 KWO~ @4vawooi ral Bjres, ahere, in a similar spirit,
      Aristotle contrasts the duties of the artisan, which are rendered to
      the community, with the duties of the slave, tThich are rendered to
      the individual.




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      These strange words may be translated literally: ' But not in so
      far as he possesses an art of the master such as would direct the
      slave in his particular employment;! i. e. it is not as the teacher of
      a craft but as a master that he imparts virtue to his slave.
      The slave is relative to the master. His virtues are all received
      from him, and cannot be imparted by any chance instructor, Nor
      does the master instruct him in any art. But the artisan stands
      in no relation to another; he has a separate art (6 13) which he
      exercises independently. He is without any ennobling influence
      external to himself, whereas the slave is inspired by his master.
      alb X~YOVUIV 06 KU& oi Xdyou robe SOUXOUS baocrrcpotmrp KO;




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