full-length pose. (Note:The exception is in boudoir and glamour photogra-
phy, where the emphasis may be more on the person’s physical attributes than
on their face.) Some tips for getting better compliance from your subjects on
this issue are covered in chapter 9.Choose the Setting.
The predominant lines and textures in a scene are what determine its overall
feeling, so be sure to evaluate these carefully. Studying art theory will help you
determine what feeling these lines and textures communicate. As you begin
looking for the feeling that each setting conveys, you will start to pick up on
the ways the various lines and textures alter the feeling of the background.
A scene that has strong linear lines (like a row of columns on a porch or
portico) communicates a sense of structure and strength; scenes that have
curved lines (like the draping branches of a tree) provide a softer, more
painterly look. Because of their traditional associations, linear backgrounds are
often considered more masculine, while ones with curved lines tend to be
considered more feminine. This does not, however, mean that you should
only use “feminine” backgrounds when creating portraits of female subjects.CRITICAL DECISIONS 19Some locations can be used in multiple ways,
so keep your mind open to the possibilities.